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Listed below are our principles of audio design.

Church Audio Design principle
Sound re-enforcement is very simple in theory: pick up the desired sound through a microphone and broadcast it throughout the area in question at a higher level. In practice, however, there are always obstacles that will hinder us in achieving our desired goal in church audio design.

At this stage, it is worth pausing for a moment to consider what, specifically, is our goal in relation to church audio design?

This goal can be stated quite simply: that every person within a given area, in this case a church, can hear and understand what is being said. It is the intelligibility which is critical in good church audio design- there is no point in amplification if the resultant sound, although loud, cannot easily be understood. This phenomenon is commonly encountered in railway stations: loud but unintelligible. This does not make good church audio design.

Secondary goals
Having achieved our primary goal of intelligibility, we can consider secondary aims: ease of use and aesthetic compatibility among others.

There is little point in having a sound system which is superbly intelligible, but requires a full-time sound engineer to continuously monitor and adjust the equipment. In certain situations - large live music events, for example, this is unavoidable, but for church audio use, the goal is ultimate simplicity: switch the system on, speak into the microphone(s). No adjustments whatsoever.

Modern equipment is now reliable and sophisticated enough that this goal can easily be met. Most of the systems we have designed have a single on/off switch for the entire equipment stack, and all levels are pre-set by us, requiring no further attention. The system is switched on before a service, and switched off afterwards - no more!

Regarding aesthetics: once, speakers were only available as large black or wooden cabinets; microphones were bulky. Now, microphones are generally miniaturized on thin goosenecks, making them virtually invisible in use. Speakers are available in a range of colours and finishes to blend in with most decor, as well as being a good deal more compact than previously, ensuring that an installation can be as unobtrusive as possible. The main reason for a sound system being rendered unintelligible (assuming it is loud enough) is the deleterious effect of the acoustics of the building. Certain frequencies are naturally emphasized, others suppressed, leading to a significant loss of audio information. This, coupled with reverberation and echo can render even a loud sound unintelligible - think of a bright, but out of focus picture.

A well designed system can overcome the problems by specifying the correct equipment: microphones specifically suited to speech, equalizers which can be set to compensate for non-linear acoustics, and an even distribution of speakers at carefully chosen locations to minimize echo and delay effects.

A further problem can be achieving a sufficient level of amplification in the sound system before the onset of howling "feedback". This can be overcome by careful choice of microphones, siting of speakers and, in extreme cases, by the use of a dedicated digital processor to specifically detect the onset of feedback and instantly apply preventative measures - automatically.

Induction Loop Systems
A recent legal ruling obliges all publicly accessible facilities, including churches, to be fitted with a loop system for the benefit of hearing-aid users. These loops are connected to the PA system and radiate a magnetic field carrying the sound information which is picked up by hearing aids switched to the "T" position, giving much clearer reception of the required sounds while reducing the effects of background noise.

The system consists of a loop of wire (hence the name) around the perimeter of the building, connected to a special amplifier which is, in turn, connected to the system. Unfortunately, the magnetic field is also picked up very effectively by dynamic microphones and guitar pickups, leading to feedback. Use of condenser microphones (see above), and careful layout of the loop can eliminate both of these undesirable effects.

 

For per day labor or system design pricing e-mail us @ churchprograms@muzeekworld.com

 

For churches and other Non Profit Organizations :

System design is free if the equipment has been purchased thru

Your Sound Source

 

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