recording system, and a CD duplicator (3 target) built in one fantastic fast machine.These systems have been built for the Top Studios in the production and recording industry. These are serious "POWER HOUSE SYSTEMS". All the Systems are configured to meet your demands:. Audio Cards: Lynx 2 (Synergy 2.0), and Creamware Pulsar II (Synergy 1.0)

http:www.lynx-studio.com

Software: Nuendo/SX (Synergy 2.0), and Cubase SX (Synergy 1.0)

http://www.creamware.com

All systems are configured with todays market. Current systems utilize the power of the Pentium 2.4 and above. for tech notes on the components and prices please contact your local Bokano dealer.

CD Duplicator Features
- Standalone IDE to IDE CD Copy controller
- 6 standalone IDE channel
- Self diagnostics when power on
- Supports Hard Drive image
- Auto format detection
- User friendly interface with message rich LCD display
- Fast copies supports high speed CD-R/RW writing mode
- Easy operation without software and training are required
- Firmware upgrade via CD-ROM

Digi 002, Digidesign's first FireWire-based Pro Tools system, is your Pro Tools "studio-in-a-box," with integrated control surface, built-in Pro Tools LE, I/O options, and the ability to work as both a stand-alone digital mixer and a control surface for Pro Tools. FireWire connectivity makes for an adaptable, portable solution - perfect for your laptop or desktop - while offering high data-transfer speeds and plug-and-play capability.

The Pro Tools LE software interface supports 32 tracks of 24- or 16-bit audio, complete integrated MIDI sequencing, and realtime mixing and processing.

Digi 002 offers two modes: Pro Tools and stand-alone. In Pro Tools mode, the system serves as a complete recording, editing, mixing, mastering and delivery solution; and, as with other Pro Tools LE products, its sessions are fully compatible with other professional and home/project Pro Tools environments. In stand-alone mode, Digi 002 serves as an 8x4x2 digital mixer with built-in EQ, dynamics, delay, and reverb, 24 settings snapshots, and a compact footprint.

All Pro Tools LE components can be accessed and manipulated via Digi 002 for hands-on control of any project, whether you use a PC or a Mac. Additionally, the included high-powered plug-in bundle - with thousands of dollars worth of plug-ins - makes the Digi 002 a truly complete system.
Features:

1. 8 discrete analog inputs (4 mic/line/instrument (DI) preamps; phantom power selectable in two channel increments)
2. Alternate Source Input for monitoring -10 dBV audio equipment (tape players, CD players, etc.) directly to the monitor outputs
3. 8 discrete analog outputs, all balanced/unbalanced +4 levels, plus a separate balanced/unbalanced monitor output
4. 24-bit/96 kHz converters
5. > 108 dB Dynamic Range; > 98 dB (0.002%) THD+N
6. Monitor output includes dedicated volume control knob
7. Headphone output includes dedicated volume control knob
8. 8 moving faders with touch control circuitry (Control|24 fader type and resolution)
9. Transport controls
10. 8 rotary encoders used for pan/send/meter/plug-in control
11. 10 scribble strips for track name, pan, send, fader, plug-in values, and timeline position
12. 8 channels of ADAT optical I/O
13. 2 channels of S/PDIF I/O
14. MIDI I/O - 1 input port/2 output ports (16 channels in/32 out)

The Mbox is Digidesign's portable Pro Tools-LE based system, a versatile combination of recording and editing power and audio quality in a compact package. Not only does the system open the door to Pro Tools, the same DAW platform used by professionals the world over, but Mbox also offers a diversity of connections to allow you to interface your equipment with speed and ease. It features 2 Focusrite mic preamp inputs, 2 analog outputs available as well as 2 analog inserts - allowing for easy integration of outboard effects and other gear. A S/PDIF I/O pair is also included for connecting other digital devices. A 24-bit input-to-output signal path guarantees pristine fidelity throughout the production chain. The simple USB-powered connection of the Mbox means you don't need extra power strips to power up. In fact, the Mbox might be the last word in simplicity for portable audio production - just plug in Mbox to the USB port on your computer, launch Pro Tools LE software, and you've got an instant, pro quality audio production system at your fingertips anywhere you go.

1. 
   Features:
2. Mac AND PC
3. 2 analog inputs and outputs
4. 24-bit stereo S/PDIF digital I/O
5. Pristine 24-bit signal path from input to output
6. 2 analog TRS inserts
7. Headphone output with dedicated volume control
8. Zero-latency monitoring
9. 100% USB powered
10. Pro Tools 6.X
11. USB cable included

Lynx Studio Technology: LynxONE™

The ONE card for... 24-bit analog audio 24-bit/96 kHz digital i/0, pro level balanced i/o , dual midi ports
flexible synchronization , multiple os's and platforms , multi-card support

Check out a detailed description of the LynxONE, or just look at the full hardware specifications.
Stereo 24-bit analog input and outputs with +4dBu or -10dBV levels, less than 0.0025% THD+N, and dynamic range greater than 103dB (real specs, not just converter specs).
Digital I/O supporting AES/EBU and S/P DIF formats at sample rates up to 96kHz.
Independent, 24-bit audio stream architecture supports simultaneous four-channel recording and playback.
Supports 8, 16, 24 and 32 bit audio file formats.
Two smart, deeply buffered MIDI ports.
Low-jitter, highly adjustable sample clock tunable to all rates 8kHz to 100kHz.
Clock inputs and outputs sync to word, word*256, video clocks and to other LynxONE's.
Reconfigurable FPGA-based engine supports record monitor mixing and stand-alone A>D or D>A conversion capability.
Mixer application provides software-controlled configuration - no jumpers!
Ships with complete 6' Audio cable and 2' MIDI/Clock cable set.
Audio cable is DB25 to balanced XLR for all connections.
MIDI/Clock cable is HD15 to standard MIDI connectors for both inputs and outputs. BNC for Clock input and output.
Internal Clock input and output connectors for synchronizing multiple LynxONE's or connection to video capture/playback adapter.
Requires 90MHz Pentium or DEC Alpha processor, one free PCI slot, 16MB RAM minimum.
Ships with Windows 95/98/ME drivers and Windows NT/2000/XP drivers for Intel/AMD platforms.
Macintosh OS9 ASIO 2.0 drivers available for download.
FCC Class B and CE approved for Home and Office use.

LynxTWO™

Building on the award winning performance of the LynxONE, LynxTWO incorporates the latest generation converter technology to create a device capable of precision never before achieved in a PCI audio card. With performance that exceeds stand-alone converters, LynxTWO sets new standard for signal purity, versatile synchronization, powerful hardware mixing, and extensibility to support a variety of mutichannel formats including ADAT and multiple AES/EBU.
Download the LynxTWO Brochure (727KB PDF), or just look at the full LynxTWO hardware specifications.
200kHz sample rate / 100kHz analog bandwidth (Supported with all drivers)
Four 24-bit balanced analog inputs and outputs ("A" Model)
Two 24-bit balanced analog inputs and six 24-bit balanced analog outputs ("B" Model)
Six 24-bit balanced analog inputs and two 24-bit balanced analog outputs ("C" Model)
+4dBu or -10dBV line levels selectable per channel pair
24-bit AES3 or S/PDIF I/O with full status and subcode support
Sample rate conversion on digital input
Non-audio digital I/O support for Dolby Digital® and HDCD
32-channel / 32-bit digital mixer with 16 sub outputs
Multiple dither algorithms per channel
SMPTE time code reader and generator with MTC conversion
Composite video genlock
Word, 256 Word, 13.5MHz or 27MHz clock sync
Extremely low-jitter tunable sample clock generator
Dedicated clock frequency diagnostic hardware
Multiple-board audio data routing and sync
Two LStream™ ports support 8 additional I/O channels each
Compatible with LStream modules for ADAT and AES/EBU standards
Zero-wait state, 16-channel, scatter-gather DMA engine
Windows 98 / ME / NT / 2000 / XP Drivers
Macintosh ASIO 2.0 Drivers
LynxTWO-A Suggested US List Price $1095
LynxTWO-B Suggested US List Price $995
LynxTWO-C Suggested US List Price $1195
Optional LStream Expansion Modules:
LS-ADAT: Provides sixteen-channel 24-bit ADAT optical I/O, US List Price $249 (Internal).

LS-AES: Provides eight-channel 24-bit/96kHz AES/EBU or S/PDIF digital I/O, US List Price $469 (Internal).

Lynx L22™

The Lynx L22 is a professional audio interface card intended for use in the most demanding audio recording, post-production, broadcast, and measurement applications. Based on LynxTWO technology, the L22 can capture or generate signals beyond the audio bandwidth up to 100 kHz with extreme accuracy.

Using proprietary circuit topologies and custom components in the analog stages coupled with the latest converter technology, the L22 achieves a 117 dB dynamic range. Most importantly, advanced noise-rejection design techniques are incorporated to maintain this performance in real world use from computer to computer.

Glitch-free recording and playback is assured due to the L22's large on-board buffers and extremely efficient zero-wait state DMA engine. These features provide tolerance to system latencies and significantly reduce load on the host CPU.

The onboard digital mixer is extremely flexible allowing the L22 to adapt to any studio or workstation configuration. Each of the mixer's 16 outputs is capable of mixing signals from 16 physical inputs or 16 playback tracks with 32-bit precision. A choice of dither algorithms is available on each input to mask low-level artifacts while reducing word widths to 8, 16, or 20 bits.

The L22 provides I/O expansion via its two LStream™ ports. Combined, these ports allow 16 channels of additional I/O from external ADAT or AES/EBU devices. The ports can also be used to route data and synchronize to other L22's or LynxTWO's to create high channel-count systems.

As with other Lynx products, the L22 provides unprecedented compatibility with a wide range of platforms and operating systems. Lynx device drivers are developed in-house to insure quality and robustness.

Download the Lynx L22 Brochure (287KB PDF), or just look at the full Lynx L22 hardware specifications.

200kHz sample rate / 100kHz analog bandwidth (Supported with all drivers)
Two 24-bit balanced analog inputs and outputs
+4dBu or -10dBV line levels selectable per channel pair
24-bit AES3 or S/PDIF I/O with full status and subcode support
Sample rate conversion on digital input
Non-audio digital I/O support for Dolby Digital® and HDCD
32-channel / 32-bit digital mixer with 16 sub outputs
Multiple dither algorithms per channel
Word, 256 Word, 13.5MHz or 27MHz clock sync
Extremely low-jitter tunable sample clock generator
Dedicated clock frequency diagnostic hardware
Multiple-board audio data routing and sync
Two LStream™ ports support 8 additional I/O channels each
Compatible with LStream modules for ADAT and AES/EBU standards
Zero-wait state, 16-channel, scatter-gather DMA engine
Windows 98 / ME / NT / 2000 / XP Drivers

AES16™ 192 kHz Multichannel AES/EBU Interface

Integrates digital consoles, multi-channel A/D and D/A converters, and hard disk recorders with computer-based workstations
The AES16 offers unprecedented AES/EBU channel capacity and routing flexibility in a single PCI card format. With support for up to 16 channels of input and output at sample rates up to 192 kHz, the AES16 turns your computer into a powerful digital router or patchbay with extensive flexibility with minimal cabling. Most importantly, the AES16 supports the emerging single-wire 192 kHz standard and is compatible with existing dual-wire AES/EBU devices. Up to four AES16’s can be installed in a single computer. .

1. Sixteen-channel AES/EBU Digital I/O
2. 192 kHz / 24-bit Single-wire and Dual-wire Modes
3. SynchroLock™ Jitter Attenuation
4. Word Clock and Multi-card Synchronization
5. Powerful Mixing and Routing Engine
6. Low-latency Drivers for Windows and Macintosh
7. Cabling for Direct Digital Interface to Yamaha, Apogee, Mackie, and other Equipment. Click here for more.

Offering a solution for jitter problems in AES signals, the AES16 incorporates a new Lynx technology called SynchroLock™ that provides extreme jitter tolerance at all inputs. By coupling statistical analysis with low-noise clock generation techniques, SynchroLock is able to extract a very clean clock from AES signals affected by long cable lengths and other noise sources. The clock output of SynchroLock can also be used as a very accurate word clock source for other studio devices.
Extremely Low Latencies
Glitch-free recording and playback is assured due to the AES16’s large on-board buffers and extremely efficient zero-wait state DMA engine. These features provide tolerance to system latencies and significantly reduce load on the host CPU. Data transfer hardware and software are highly optimized to provide extremely low latencies for ASIO and other real-time applications.
Expandability
The AES16 includes an LStream expansion port for increasing its I/O capabilities. Connecting a Lynx LS-ADAT adds multi-channel ADAT lightpipe I/O and supports format conversion between AES/EBU and ADAT. The LStream port can also be used for routing data to a second AES16 and increasing the channel count to 32.
Sample Rate Conversion
The AES16-SRC model offers eight channels of mastering quality sample rate conversion to accommodate studios running multiple samples rates or signals not locked to ”house sync”.
On-Board Digital Mixer
The on-board digital mixer offers flexible patch-bay style routing and digital mixing. Zero Latency 32-channel / 32-bit digital mixer with 16 sub outputs. Multiple dither algorithms per channel

Key Features
Digital I/O
24 bit AES/EBU format; Dolby Digital®, DTS, HDCD support
16 I/O in single-wire mode; 8 I/O in dual-wire mode
Transformer-coupled XLR connections (AES16-XLR; AES16-SRC)
Optional eight channels of sample rate conversion (AES16-SRC only)
Expansion
LStream port provides 16 channels of ADAT I/O
Sync I/O
Clock source: digital inputs, internal and external clocks
Word Clock and multi-card synchronization
Features
Zero Latency 32-channel / 32-bit digital mixer with 16 sub outputs
Multiple dither algorithms per channel
Extremely low-jitter, tunable sample clock with SynchroLock™Zero-wait state, 16-channel, scatter-gather DMA engine

Drivers
Windows 2000/XP: MME, ASIO 2.0, WDM, DirectSound, Direct Kernel Streaming and GSIF
Macintosh OSX: CoreAudio

Lynx LS-ADAT™ for LynxTWO and Lynx L22

Check out the LS-ADAT Owner's Manual, or just look at the full hardware specifications.

The LS-ADAT is a full-function ADAT interface that provides two ADAT lightpipe inputs and outputs and an ADAT Sync In Port for the LynxTWO and Lynx L22 professional PCI cards. Operating at a sample rate of 48 kHz, the LS-ADAT I/O channel capacity is 16. Higher sample rates are supported using S/MUX technology: 8 channels at 96 kHz and 4 channels at 192kHz.

The ADAT Sync In port feeds on-board time code control logic that provides two methods of sample-accurate synchronization. In systems using ASIO compatible audio applications, the LS-ADAT utilizes Steinberg's ASIO Positioning Protocol for synchronization to ADAT time code. Alternatively, synchronization using the LS-ADAT's cue point capability initiates recording or playback with sample period resolution. The LS-ADAT can also transmits time code via MTC for general compatibility with many applications.

The LS-ADAT offers a wide variety of sample clock synchronizations options. Its sample clock source can be derived from a word clock or composite video received by the LynxTWO. In addition, either lightpipe input or the Sync In port can also be selected as the clock source.

Aardvark's unique Q10 brings a fresh new approach to computer recording. Its 8 studio quality XLR mic preamps have an ultra quiet .002% THD+N so you can professionally record an entire band direct to the computer without a mixer. Any of the 8 inputs can also be used as high quality ¼" line inputs and take advantage of Aardvark's legendary sound quality and low-jitter performance. The Q10 has tons of studio-friendly features like 4 ¼" analog effects inserts for easy integration with outboard processors, phantom power, 2 EFR™ guitar Hi-Z inputs, front mounted headphone & line monitor out level controls, SPDIF, MIDI, a shielded PCI card and comes with a full version of Magix Audio Studio 7 deLuxe recording software.

The Q10 is compatible with almost all audio recording software, and is often used with Steinberg™ Cubase VST/32 & Nuendo™, Cakewalk Sonar™, Emagic Logic Audio Platinum™, , Syntrillium Cool Edit Pro 2000™ and gets ultra low-latency performance with software synths & samplers like Native Instruments™, GigaStudio™ and Propellerheads Reason™.
The combination of discrete transistor mic preamps, 24 bit A/D D/A, shielded PCI card and Aardvark's legendary digital clocking technology guarantees the audio quality is second to none. The flexibility of the hardware completely replaces an outboard mixer, so you can record directly to the computer without sacrificing audio quality or studio functionality.

The DSP Control Panel for the Q10 uses the powerful DSP Processor on the PCI card, so you computer keeps running lightning fast and completely in real-time. It's laid out much like an analog mixer, and leaves native power for you to run more Plug-Ins and other processing. No other system has the brainpower of the Q10 and does so much, so easily.

The Direct Pro LX6 is more than just a sound card. With features like 4 in / 6 out 24 bit/ 96kHz sampling capability, real-time DSP mixing & effects and a shielded PCI card to keep out computer noise, it even makes expensive interfaces blush with envy. The built in S/PDIF makes flawless 24 bit digital transfers to outboard gear, and the integrated MIDI I/O makes it an ideal solution for audio & MIDI workstations.
Its powerful on-board DSP processor provides real-time, zero latency DSP effects and keeps your computer running lighting fast.

The LX6 also provides separate headphone & line outs for super-easy monitoring and comes with a full version of Cakewalk's Pro Audio 9.0 recording software.
The LX6 is compatible with almost all audio recording software, and is often used with Steinberg™ Cubase VST, Cakewalk Guitar Tracks Pro™, Home Studio™ & Sonar™, Emagic Logic Audio™ and Syntrillium Cool Edit Pro 2000™. The 6 outputs and ultra low-latency performance make the LX6 a perfect match for software synths & samplers like Native Instruments™, GigaSampler™ and Propellerheads Reason™.

The USB3™ raises the bar for laptop audio with a premium mic preamp, custom EFR™ Hi-Z guitar input, road worthy steel enclosure and brilliant 24 bit noise-free converters. It's perfectly designed for the musician that wants better sound and he can connect everything in this studio right into one unit.
It comes with all the recording software and hardware needed to mix, monitor & record professional sounding audio on any computer. The USB3 has knobs & sliders for professional input and output level control, and a convenient headphone output so monitoring audio or MP3 files is refreshingly easy.

The USB3 is compatible with almost all audio recording software for the Mac or PC, and is often used with Cakewalk Home Studio™ & Guitar Tracks™, Syntrillium Cool Edit Pro™, ACID™

LAYLA Laptop runs on both Windows and Macintosh portables. It easily connects to a laptop with the Echo Laptop Adapter Cardbus card.

LAYLA Laptop provides the same outstanding recording quality found on Layla24 – only you have the freedom to make your music wherever the spirit moves you.

If you own a laptop and already have a Layla24 for your desktop computer, the Layla Laptop Adapter is also available separately to allow sharing your recording system between your laptop and desktop computers.

the Lexicon Omega 8x4x2 USB I/O mixer is based on a mixer paradigm and includes input, output and mixing functions that support a variety of tracking/monitoring applications while requiring no additional mixing hardware.

The Omega I/O mixer provides 8 inputs which are assignable in pairs to any of 4 simultaneous record channels featuring ultra-transparent, high-resolution analog to digital converters to capture your performance with pristine 24-bit quality. Two of the inputs feature extremely low-noise dbx® mic-preamps with 48 volt phantom power and TRS insert points. Four TRS active balanced line inputs accept up to +22dBu signals to allow interfacing to either unbalanced or professional high-output level balanced equipment. Included is an S/PDIF input combined with an additional DAC for zero-latency, direct monitoring of the S/PDIF source to allow simultaneous tracking of analog and digital sources. A high-impedance instrument input is conveniently accessible on the front panel. The Omega I/O mixer provides a peak indicator for each analog input as well as an assignable bar graph meter for signal level monitoring. By monitoring the signal at the A/D converters, it avoids the problems with software-only level monitoring that can miss clipping and ruin your track. The Omega I/O mixer also includes a fully opto-isolated MIDI input to ensure that there is no annoying ground loop hum or MIDI talk-through noise common with many I/O boxes and sound cards. MIDI output has rock-solid synchronization to USB frame rate to support applications requiring critical sync.

Pro Tracks Plus & Deck 3.5 SE
Pro Tracks Plus for Windows is an easy-to-use, comprehensive 32-track recording suite that includes all the modules you need to track, edit, process, sequence and mix your masterpiece. Not only does it include intuitive non-linear editing, plug-in support, and acidized looping features, it contains a full featured MIDI sequencer with outstanding event editing and powerful automation features as well as soft synth support.

BIAS Deck 3.5 SE turns your Mac into a full-fledged recording studio. Easily record up to 64 tracks, with full CD quality and then edit your work instantly, while always being able to revert to your original recordings.

Lexicon Pantheon Reverb Plug-In
Designed entirely by Lexicon engineers, the Pantheon reverb plug-in offers 35 factory presets featuring 6 reverb types (hall, chamber, plate, room, ambience and custom) controlled by an intuitive user interface with 16 editable parameters. The Lexicon name is synonymous with 'the world's best reverb'. Pantheon continues this legacy by bringing "that Lexicon sound" to your projects

Project Hammerfall (DIGI9652) is just another milestone set by RME. No other digital audio interface card has got so many enthusiastic users in such a short time.

If you don't need word clock or third ADAT I/O port then now is the time to get our latest Hammerfall technology for even less money: Hammerfall Light equals Project Hammerfall, but is sold without Expansion Board.

The optional Expansion Board turns the Light into a fully equipped DIGI9652 at any time.

Hammerfall Light also allows to connect further Expansion Boards (EXB). One internal ADAT input and two internal ADAT outputs allow you to realize up to 8 analog inputs, 16 analog outputs or even one TDIF interface directly inside the computer.
2 x ADAT digital I/O, based on RME's reliable Bitclock PLL
1 x SPDIF digital I/O, based on RME's reliable DIGI96 technology
1 x ADAT Sync In (9-pin D-type) for sample accurate transfers
1 x Breakout cable for coaxial SPDIF operation
Zero wait state PCI Busmaster interface with additional burst FIFO (130 MB/s transfer rate in both directions)
No drop out problems at high PCI bus load
New hardware design: 36 mono channels in block mode, organized in 32 bit ASIO double buffers
ASIO poured in hardware! The result in speed and performance is 0 (zero!)% CPU load when using ALL 36 channels!
130 MB/s transfer rate for record and playback results in only 7% PCI bus load when using all 36 channels
New Enhanced Zero Latency Monitoring, now operational even with different sample rates at input and output
S/MUX poured in hardware: 8 channels 96 kHz/24 bit for record and playback
...and numerous other features found already in the DIGI96 series cards - for a price that can't be beaten!

The Hammerfall series offers drivers for Windows 98/ME (MME with multi-client operation, ASIO 2.0, GSIF), Windows NT and Windows 2000/XP (full multi-client operation of MME, GSIF and ASIO 2.0), MacOS (ASIO 2.0) and Linux (ALSA.

RME DIGI9652
Originally only intended for ASIO operation the Hammerfall became reference all around the world in a short time - because even under MME its performance is a real killer! This card is RME's ultimate answer to the challenges of modern PC-based hard disk recording - loaded with numerous unique features.

Only our unsurpassed Hammerfall technology offers latencies down to 1.5 ms - not only in theory, but in reality! Break the barriers of common limits and performance restrictions with Project Hammerfall.
The Hammerfall also allows to connect further Expansion Boards (EXB). One internal ADAT input and two internal ADAT outputs allow you to realize up to 8 analog inputs, 16 analog outputs or even one TDIF interface directly inside the computer.

3 x ADAT digital I/O, based on RME's reliable Bitclock PLL
1 x SPDIF digital I/O, based on RME's reliable DIGI96 technology
1 x ADAT Sync In (9-pin D-type) for sample accurate transfers
1 x Word clock I/O (BNC) on included expansion board
1 x Breakout cable for coaxial SPDIF operation
Zero wait state PCI Busmaster interface with additional burst FIFO (130 MB/s transfer rate in both directions)
No drop out problems at high PCI bus load
New hardware design: 52 mono channels in block mode, organized in 32 bit ASIO double buffers
ASIO poured in hardware! The result in speed and performance is 0 (zero!)% CPU load when using ALL 52 channels!
130 MB/s transfer rate for record and playback results in only 9% PCI bus load when using all 52 channels
New Enhanced Zero Latency Monitoring, now operational even with different sample rates at input and output
S/MUX poured in hardware: 12 channels 96 kHz/24 bit for record and playback
...and numerous other features found already in the DIGI96 series cards. But the best is still to come: The price! It will make you weak at the knees...

The Hammerfall series offers drivers for Windows 98/ME (MME with multi-client operation, ASIO 2.0, GSIF), Windows NT and Windows 2000/XP (full multi-client operation of MME, GSIF and ASIO 2.0), MacOS (ASIO 2.0) and Linux (ALSA.

RME HDSP 9632

RME presents the world's most versatile PCI Audio Interface - the Hammerfall DSP 9632. This card makes the dream of an All-In-One solution for every possible application come true. As usual, RME has not made any compromises: Latest 192 kHz AD- and DA-converters with more than 110 dB signal to noise ratio, all inputs and outputs simultaneously operational, easy-to-install optional hi-quality analog expansion boards, the famous TotalMix, a newly developed sensational clock section with maximum jitter suppression of external clock signals - all this combines into a 'soundcard' that the world has been waiting for so long.

An easy to handle ribbon cable connects the newly developed optional AI4S-192 and AO4S-192. These analog expansion boards having one bracket with 4 stereo TRS jacks offer the same performance as the on-board stereo analog I/O of the HDSP 9632: up to 192 Khz, balanced and 3 different reference levels. With this a maximum of 6 inputs and/or outputs can be achieved.

HDSP 9632 also supports the existing Expansion Boards (EXB). An internal ADAT input and an internal ADAT output allow for up to 14 analog inputs, 14 analog outputs, or the usage of a TDIF interface, directly inside the computer.

RME HDSP 9652 is the long-awaited successor of the well-known PCI card Project Hammerfall (DIGI9652). Like the original Hammerfall, HDSP 9652 offers 3 x ADAT optical I/O, ADAT-Sync In, SPDIF I/O and word clock I/O. On top, there are 2 MIDI I/Os and TotalMix, a DSP-based real-time mixer/router.

The HDSP 9652's Secure BIOS Technology allows to perform hardware updates via software/driver without any risk. And thanks to its unique 'Zero CPU Load' technology Hammerfall DSP guarantees highest performance and lowest latency on both notebooks and desktops!
Hammerfall also supports Expansion Boards (EXB). Two internal ADAT inputs and two internal ADAT outputs allow you to realize up to 16 analog inputs, 16 analog outputs, or up to two TDIF ports directly inside the computer.

3 x ADAT digital I/O, based on RME's reliable Bitclock PLL
1 x SPDIF digital I/O, based on RME's reliable DIGI96 technology
1 x Breakout cable for coaxial SPDIF operation
1 x Word clock I/O (BNC) on included expansion board
1 x ADAT Sync In (9-pin D-type) for sample accurate transfers
2 x MIDI I/O, 32 channels high-speed MIDI via breakout cable
HDSP Meter Bridge: freely scalable level meters, peak- and RMS calculation directly in hardware
TotalMix: 1352 channel mixer with 40 bit internal resolution
S/MUX poured in hardware: 12 channels 96 kHz/24 bit for record and playback on ADAT optical
...and numerous other features found already in the Hammerfall series. And all this for an unbeatable price!

The Hammerfall® DSP System comes with drivers for Windows 98/ME (MME with multi-client operation, ASIO 2.0, GSIF), Windows 2000/XP (full multi-client operation of MME, GSIF and ASIO 2.0), Mac OS 9.x (ASIO 2.0) and Mac OS X.

AudioSystem EWX 24/96 TerraTec breaks new groundin the classical soundcard market with a product utilising progressive24Bit / 96kHz technology. Based on the award winning EWS88 MT/D technologyyou get the pleasure of uncompromised support for any audio softwarewith ASIO 2.0, GSIF (GigaSampler) and DirectSound drivers. Thanks tothe switch design anthe new 24Bit/96kHz converter technology, a signalto noise ratio of more than 100 dB/A is reached - satisfying the highestdemands. To gain the best high-end audio performance the standard soundcard(gamer) characteristics like hardware 3D acceleration or the dreadedsample rate conversion (SRC) have been deliberately left out.
In addition to the analog stereo In and Outputs (cinch!) there is anoptical digital In and Output (TOS link) for all standard formats upto 24Bit und 96kHz at your disposal. These operate without any samplerate conversion and thereby deliver a 1:1 (bit-true) perfect recording.And DTS or AC3 streams can also be transfered in the so-called non-audiomode over the digital Out from a software DVD- player to an externalDolby-Digital-receiver. The digital Input on the EWX 24/96 also allowsitself to be configured so that a digital audio Out (TTL) from a CDdrive can be connected.

And to facilitate a well rounded impression of the powerfulabilities of the EWX 24/96, we have taken care to include a comprehensivesoftware packet to carry you far into your new music life. Create andedit recordings with Steinbergs praised sample editor WaveLab Lite andthen convert them into MP3 files with Musicmatch Jukebox - or arrangecomplete songs professionally using Emagics audio/MIDI sequencer MicroLogicFun – just to name a few possible applications. The real heavyhitter is without a doubt "GigaSampler LE" from Nemesys andturns your system into a full value sampler with support for countlesssounds in GIG, WAV and AKAI format! What makes it so special: the soundsare played directly from the hard drive. That way the samplers's memorycapacity is immense. Alone for the Giga-Piano there is close to 1 GB(Gigabyte!) of sound material, which you – thanks to the directhardware support via the GSIF driver – can play practically live!Beside Arturia's Storm - in a special EWX 24/96 edition – awaitsthe FruityLoops Express, an extremely intuitive, easy to use compositionstool inclusive drum-computer, synthesizer and effects processor.

Also connect to the world outside your PC is providedfor using the EWX 24/96. You can, for example, connect a MIDI adapterkit, like the MIDI Kit Master from TerraTec. On a separate slot we haveadded a practical interface which can be used to power the TerraTecphono PreAmp. Along side the connecter cables for the analog In andOutputs (cinch – cinch), we have placed a 2 , yes two, meter opticalcable to connect with the outside world (e.g. MiniDisk player). Summary:All those who have been searching for a soundcard that boasts such fantasticspecs (and certainly places itself in the professional-league) can nowtake action.

BUNDLED SOFTWARE
• Nemesys GigaSampler LE, Vers. 1.62 incl. MegaPiano sound-setand S converter (AKAI import)
• FruityLoops, Vers. 2.7.0 Express
• Steinberg WaveLab Lite Vers. 1.3
• Emagic MicroLogic FUN
• Arturia Storm EWX 24/96 Edition

Creamware Pulsar II is an utterly flexible DSP system that supports you in all phases of music production. You decide for yourself how to use Pulsar: as a recording I/O card, a digital mixer, an effects rack, a synthesizer collection, a studio sampler, a routing patch bay... and all of that in any desired combination.

Since the time of its introduction in 1998, Pulsar has conquered the hearts and studios of thousands of musicians all over the world. Thanks to its unique properties, Pulsar systems are being put to use everywhere - from home recording studios to the largest Hollywood film studios.

Creamware Noah Until now, innovative software has been dependent upon a computer environment, and music hardware has been inflexible and comparatively unsophisticated. Noah changes all of that.

Noah combines the innovativeness of software plug-in technology with the advantages of a traditional instrument: Simplicity. Reliability. Mobility. Spontaneity.

Based on the latest DSP plug-in technology, Noah offers absolutely accurate reproductions of legendary instruments. Along with completely new, previously unheard sounds. Noah unites a huge range of different synthesis forms, delivering a quality and variety of sound never before heard from a keyboard.

For a long time there’s been no good reason to buy a new synthesizer.
That has changed. Now there is Noah.