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The new Aurora line of digital audio converters
from Lynx Studio Technology offers
unprecedented audio quality and control in single-rack space eight
and sixteen channel models. The Aurora 8™ and Aurora 16™ feature
192 kHz analog to digital and digital to analog conversion with
front panel control of all routing and sample rate options. Extended
functions in Aurora are accessible via computer with the Lynx AES16
or by infrared using compatible laptops and handheld Pocket PCs.
The rear panel has Clock and MIDI In and Out connectors and an LSlot
bay, for the optional use of ADAT, Firewire and other audio interfaces.
Aurora 8: Simultaneous
8 Channel Analog I/O and 8 Channel AES/EBU I/O
Aurora 16: Simultaneous 16 Channel Analog I/O and 16 Channel AES/EBU
I/O
24 Bit / 192 kHz Mastering Quality A/D and D/A conversion
192 kHz AES/EBU I/O Supporting Single and Dual Wire Modes
Single Rack Space Configuration
Extensive Remote Control Capability via Lynx AES16, IrDA and MIDI
LSlot™ Expansion Slot for Firewire®, ADAT®, and Future Interface
Options
On-board Digital Mixer Provides Flexible I/O Routing
Word clock I/O with Lynx SynchroLock™ Jitter Reduction Technology
Aurora 16 and Aurora 8 are 16 and 8 channel 24-bit/192 kHz analog-to-digital/digital-to-analog
converters in a single-space rack-mount case. Representing Lynx
Studio Technology’s first rack-mount product, Aurora was developed
using the next generation of Lynx acclaimed conversion technology
and rock-solid digital interface circuitry. Both units are identical
in features and specifications except for the number of I/O channels.
Aurora provides professional
I/O interfaces for ease of installation in most studios and live
sound applications. The analog I/O is electronically balanced and
supports both +4dBU and –10dBV nominal levels. The AES digital I/O
is transformer coupled and is capable of driving 500 feet of cable
at 192kHz. Both dual and single-wire AES channel modes are supported.
Aurora’s ergonomically
designed front panel provides easy access to important controls
and signal status. Unique to this product class, Aurora also offers
extensive remote control capability. All front panel features as
well as other low-level options can be controlled from the Lynx
AES16 digital interface card on Windows and Macintosh platforms;
a Pocket PC or laptop via infrared; MIDI; or an LSlot interface
card. Multiple remote set-up configurations can be stored and recalled.
The on-board 32-channel
digital mixer provides extensive routing and mixing options. Acting
as a powerful patch bay style digital router, Aurora can easily
route signals between analog and digital inputs on a channel-by-channel
basis. Mixing capability on each output also provides flexible zero
latency monitoring.
The LSlot expansion
port accepts cards that provide compatibility with current and emerging
digital interface standards, including Firewire, ADAT, and others.
In addition to soon-to-be released LSlot cards, the LSlot port is
compatible with existing Lynx LStream cards including the LS-ADAT
and LS-AES.
Lynx’s proprietary
SynchroLock™ jitter reduction technology, from the AES16, is also
included. This exclusive feature provides extreme jitter reduction
of up to 3000:1, allowing Aurora to output an extremely clean clock
output for driving the digital audio system.
All analog and digital
connections use DB25 connectors with industry standard pin-outs
which are compatible with off-the-shelf cables from manufacturers
such as Mogami, ProCo, Hosa and others.
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z-8.8 |
 The
z-8.8a lightpipe digital detangler is an automated
patchbay and distribution amplifier for digital audio signals
which are carried on TOSLINK. This includes both CP-340 S/PDIF-
or AES/EBU-formatted two-channel signals or ADAT Lightpipe-format
eight-channel signals. The z-8.8a is controlled from the front-panel:
the routing pattern can be established at the touch of a few
buttons. Up to 99 routing patterns can be stored and recalled,
making reconfiguring your digital routing a snap. The z-8.8a
also includes bidirectional Lightpipe-to-S/PDIF or AES/EBU conversion.
A single Lightpipe can be converted to and from four stereo
pairs of S/PDIF or AES/EBU. Furthermore, the unit features eight
channels of 24-bit real-time sample rate conversion, allowing
the z-8.8a to convert eight channels of asynchronous S/PDIF
or AES/EBU inputs at rates of up to 96 kHz to and from eight
channels of Lightpipe. The sample rate conversion can be defeated
if it is not needed. Product
Specifications:
Input and output connectors: as configured, RCA for S/PDIF
and Optical (TOSLINK) for Lightpipe.
Input and output impedance: 75 ohms.
Sample rate conversion: Input and output rates up to 24 bits
at 96 kHz rates.
Better than 120 dB dynamic range and SNR, less than -115 dB
THD+N
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| OptiPatch
|
 -Systems
Audio Engineering announces the OptiPatch Matrix
Audio Router, for handling multiple sets of ADAT Lightpipe-format
digital inputs and outputs. Although
Lightpipe connections are an easy way to transfer eight channels
of digital audio at a time between mixers, recorders and signals
processors, patching can sometimes be a problem. The OptiPatch
is designed to eliminate wear and tear on optical I/Os caused
by repeated plugging and unplugging of connectors. Users can
connect inputs to digital audio sources, and outputs to digital
audio destinations, press one front-panel button and the patch
is made. Up to 99 I/O routing patterns can be stored and recalled
by the unit.
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| z-3src
24/96 |
 z-3src
24/96 sample rate converter The
z-3src 24-bit/96 kHz sample rate converter is the long-awaited
follow-up to the z-2src.
The z-3src shares all of the same features as the z-2src but
adds the ability to handle input and output sample rates up
to 96 kHz at a resolution of 24 bits. Furthermore, the z-3src
features an output wordwidth control, allowing the user to
select 16, 20, or 24-bit output. The z-3src is based on the
ground-breaking CS8420 sample rate conversion chip from Crystal
Semiconductor, which gives the z-3src unprecedented measured
and sonic performance in asynchronous sample rate conversion.
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| z-link96
& link96 |
 z-link96
& link96+ mini sample rate converters
z-link96 mini sample rate converter
The z-link96 mini sample rate converter is based on the same
sample rate conversion technology as the z-3src.
Product Description:
The z-link96 is a 24-bit 96 kHz version of the z-link.
An externally-synchronizable version of the z-link96, the z-link96+
is also available.
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| z-16.16 |
 The
z-16.16 offers a solution to all of the same problems that the
z-8.8 can solve but gives you twice as much i/o. Perhaps most
significantly, the z-16.16 can be custom-configured, just like
the z-8.8. Choose from any combination of AES/EBU, coaxial S/PDIF
(BNC or RCA), and optical input and output ports. All copper
input/output ports are transformer-isolated, and high-quality
Scientific Conversions transformers are available for a small
extra cost. A digital detangler is the ideal solution to managing
the maze of digital cables and formats found in today's studios.
Product
Specifications:
Input and output connectors: as configured, RCA or BNC,XLR,
and Optical (TOSLINK) Input and output impedance: 75 ohms
(coaxial) and 110 ohms (XLR) Input and output resolution,
SNR, THD+N: what comes in goes out!
Stocked
Configurations:
z-16.16 (16.0.0) - all AES/EBU on XLR
z-16.16 (10.4.2) - 10 AES/EBU on XLR, 4 S/PDIF on BNC and
2 S/PDIF optical on TOSLINK
z-16.16 (custom) - any configuration - allow one week for
delivery
When
ordering, specify z-16.16 (X.Y.Z) where X is the number of
AES/EBU ports,
Y is the number of coaxial S/PDIF ports, and Z is the number
of optical ports
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| HEDD192 |
 HEDD192
, short for harmonically enhanced digital device, is a technological
breakthrough in signal processing. HEDD is engineered to be
musically transparent while providing the capability of generating
tube/analog sounds in the digital domain.
HEDD gives any user who works with digital the ability to sound
less digital and more analog. Applications
include: CD preparation, work station input and output, DAT
machine A/D and D/A convertor replacement and effects generation
(warming or changing sounds in the digital domain). HEDD 192
can be used in tracking, mixing or mastering.
|
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| Aardvark
SyncAD |
 Aardvark
SyncAD Because only one clock source can be the master
clock at any given time in the digital studio, problems can
occur when multiple digital devices are synced or "daisy-chained"
together. The Sync DA solves this by providing 6 additional
Word Clock outputs from a single clock source to the entire
digital studio. It allows any digital device, such as the AardSync
II master clock, or a digital mixer or DAT to be the master
clock in any given situation. To
distribute clock throughout the studio from the Sync DA, feed
either Word Clock or AES/EBU into the Sync DA's input. The
Sync DA will then feed Word Clock on 6 BNC outputs, allowing
each piece of digital equipment connected to receive a separate
feed and be in sync with the master clock device. Two of these
BNC outputs can be configured to output SuperClock 256, if
the Sync DA is receiving an AES/EBU input. The Sync DA can
even accept an AES/EBU audio signal, stripping off the clock
signal for distribution, and sending the audio signal out
through the AES/EBU through port. The Sync DA will expand
the AardSync II's outputs, allowing larger digital audio studios
to take advantage of the superior clocking technology of the
AardSync II. The Sync DA is compatible with any digital audio
device that has word clock or AES/EBU I/O.
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| AardSync
II |
 The
AardSync II has become recognized as the industry
standard master word clock sync generator of choice for professional
recording studios throughout the world. As the premier master
clock available, the AardSync II not only provides a common
word clock source for the digital studio, but it has become
legendary in the industry for its sonic benefits. Low
Jitter - Great Sound! |
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| Alesis's
AI-3 |
 Alesis's
AI-3 ensure the absolute best performance and results
on all your conversion tasks! You get 8 analog I/Os, 24-bit
digital converters, and the ADAT optical digital interface -
the most popular interfacing protocol with the ability to carry
8 channels of digital audio at up to 24-bits of resolution.
The
AI-3 also works in reverse, translating ADAT Optical digital
audio signals back to analog with 24-bit precision. What's
more, with the ADAT Optical protocol, you don't need to worry
about integrating the AI-3 with other mixers. You can easily
add analog ins and outs to most consoles from all the top
manufacturers. To sum up, the AI-3 delivers easy operation,
hassle-free control, and a very reasonable price tag. Make
the AI-3 a part of your home or project recording studio today!
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| Drawmer
DC2476 |
 The
Drawmer DC2476 is an extremely sophisticated,
all-digital stereo mastering processor designed for use in demanding
recording and broadcast applications. Both analogue (balanced
XLR) and digital (AES/EBU and S/PDIF) I/O are provided as standard.
The audio converters are 24-bit and the digital output can be
either 16, 18, 20 or 24-bit at sample rates of up to 96kHz.
Noise shaped dithering is included and Word Clock input and
output is available. |
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| Drawmer
DC2496 |
 The
Drawmer DC2496 is an extremely sophisticated,
high resolution analogue to digital converter designed for use
in demanding recording and broadcast applications. Both analogue
(balanced XLR) and digital (AES/EBU, S/PDIF, ADAT 8 Channel
light pipe and TDIF 8 Channel) I/O is provided as standard.
The audio converters are 24bit and the digital output can be
either 16, 18, 20, 22 or 24bit at sample rates of up to 96kHz.
Noise shaped dithering is included and Word Clock input and
output is available. |
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| Drawmer
M Clock |
 Drawmer
M Clock In today's studio where increasing numbers
of digital devices need to be interconnected, maintaining digital
signal integrity can be a serious problem. The traditional professional
solution has been to use an expensive master clock that drives
all the digital equipment in the studio, but in many different
types of studios there are often pieces of equipment that don't
have wordclock inputs such as consumer CD players, MD recorders,
DAT machines and budget computer soundcards. Drawmer's
unique solution to this dilemma is the M-Clock, an affordable
yet extremely highly specified, multiple output master clock
generator that also incorporates four further channels of
sample-rate-conversion, all locked to the same master clock.
There are also alternative sync outputs for those pieces of
equipment without wordclock connections that can be sync'ed
via their digital audio inputs using a 'black' signal carrying
no audio information.
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| ADI-8
DD |
 ADI-8
DD is the youngest member of RME's world-wide successful
ADI-8 series, and it commands any other format or sample rate
converter in the price-range up to $5.000 to their places, with
a single strike on the timps. Such a statement demands its proof
- here we go! The
ADI-8 DD consists of two (!) digital format converters - each
up to 16 channels. It offers 34 different conversion modes,
all with 24 bit resolution. Besides the bi-directional conversion
between all formats (ADAT/TDIF, ADAT/AES or TDIF/AES), numerous
additional modes are available. Because the ADI-8 DD is a
dual converter, there are two modes available at the same
time from the modes mentioned above - with few exceptions.
Professionals are really thrilled by these features: the ADI-8
DD understands Sample Split, S/MUX, Double Wire and Double
Line. It is thus compatible to all known methods for raising
the sample rate by sample distribution, on all supported platforms.
Also multiple units can be stacked and operated sample-aligned,
using word clock.
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|
DD8 |
 The
Steinberg DD8 consists of two digital format
converters - each up to 16 channels. It offers 34 different
conversion modes, all with 24 bit resolution. Besides the bi-directional
conversion between all formats (ADAT/TDIF, ADAT/AES or TDIF/AES),
numerous additional modes are available. A simplified list looks
like this:
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| Fostex
VC8 |
 the
Fostex VC8, a professional Optical/Analog converter
for your ADAT at a price you can afford! The VC8 adds high-quality
analog I/Os to your digital recorders, AND 8 analog inputs and
outputs to a PC sound card with ADAT opticals. You get 20-bit
AD/DA, S/PDIF/Analog conversion, and more for seamless integration
with your digital equipment |
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| Nanoclocks |
 Nanoclocks
is a word clock distributor with integrated audio master clock
generator, dual inputs with frequency status indicators and
programmable output matrix - a flexible tool for all extensive
digital audio installations. The unit provides two transformer
isolated word clock inputs and 12 word clock outputs to receive
and distribute word clock signals over long distances. Ground
potential variations, similar to earthloop induced hum in analog
audio, can cause jitter in clock signals, a transformer isolated
input eliminates this effect. In operation mode DISTRIBUTOR
the two inputs A and B can be routed individually to each of
the 12 outputs. Ten LEDs on the front panel indicate the sample
rate of the incoming signals. Input B also accepts Fs x256 signals
(also known as super clock). GENERATOR mode changes the unit
into a ultra low jitter audio master clock generator with 12
programmable outputs. Supported sample rates are 44.1, 48, 88.2,
96, 176.4 and 192 kHz as well as the respective super clocks
(Fs x256). FAILSAFE mode is a broadcast application, which monitors
the two input signals and performs an automatic switch over
of all 12 outputs if the primary word clock signal fails. |
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| Nanosyncs |
 Nanosyncs
is a universal synchronisable audio clock reference with multiple
outputs and integrated video black & burst generator. Nanosyncs
makes studio setups less complicated, more flexible and optimizes
audio quality. When each digital audio device receives a separate
clock signal, the digital audio connections are not used as
clock lines and can be patched freely. Nanosyncs provides six
separate word clock, one AES / EBU, one SPDIF and four video
outputs. The word clock outputs can be individually configured
as FS x1 (44.100 / 48.000 kHz), FS x2 (88.200 / 96.000 kHz),
FS x4 (176.4 / 192 kHz) or FS x256 (also known as Digidesign
Super Clock) signals. The unit provides 0.1% (1001/1000) and
4% (25/24) pull up and pull down rates for audio, video and
film transfers. The audio clock synthesiser can be resolved
to the internal 1ppm accurate video time base, to external PAL
or NTSC video syncs, to an external audio word clock or even
to free running LTC time code. All audio clock signals are direct
digital sythesised (DDS) by a high speed RISC controller giving
73 pico seconds resolution. The pure digital technique reduces
clock jitter to below measurable levels. The internal video
sync generator is available as PAL or NTSC version. In "Internal"
mode the four video outputs are connected to the internal black
& burst generator. In all other operation modes the video
outputs distribute the video input signal. Each of the four
video outputs is individually buffered. The unit has a robust
aluminium housing and a built-in linear power supply. |
|
| AD8000 |
 the
AD8000 from Apogee. Its 8-channel capacity
and 24-bit resolution make it the ultimate front end for your
Pro Tools system or your modular digital multitrack (optional
expansion cards may be required). There are tons of features
on the AD-8000, many of which you can't find on any other converter.
But two capabilities really make the AD-8000 stand out. First,
the AD-8000 is the only stand-alone converter on the market
to offer Apogee's exclusive UV22 Super CD Encoding Process!
Now your finished CDs will sound as good as 24-bit! Also, a
switchable Soft Limit compressor is included on every channel
giving your signal more gain while avoiding clipping (sounds
great on drums and bass). Once you experience the power of the
AD-8000 in your studio you'll wonder how your ever got along
without it! |
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| Minidac |
 Apogee
Minidac is excited to offer the latest addition to our Mini
Series, Mini-DAC. This professional quality,192kHz D/A converter,
is the ultimate portable and compact solution for studio playback,
and reference monitoring.
Professional, Portable, Affordable
With the venerable AD-1000 in mind, Apogee set out to make a
series of next-generation, compact, high quality converters
that both audio professionals and home recording enthusiasts
will not want to do without. And although Mini-DAC is built
to go and priced to move (it's far less expensive than any Apogee
D/A ever), it delivers a feature rich D/A converter that is
unrivaled in the pro studio world. |
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| Apogee's
Trak2 |
 Apogee's
Trak2 is a superb sounding microphone preamplifier/conversion
system. In a single rack space you get an excellent mic pre;
incredible A/D; any interface you need; and behind it, Apogee's
legendary name and reputation for the very highest audio quality
converters available. The details? The mic pre section offers
+/- 90dB of gain; balanced sends and returns; pristine 24-bit/96kHz
analog to digital conversion; two AMBus digital I/O slots; a
built-in AES-S/PDIF digital output; word clock I/O; and comprehensive
metering. An
Incredible A/D
From the analog stage, the signal passes to the very latest
in A/D conversion technology from Apogee's award-winning engineering
design team. The 2-channel, 24-bit A/D operates at 44.1, 48,
88.2 and 96 kHz with a dynamic range in excess of 117 dB and
an overall level of quality exceeding that of systems costing
several times the price. The A/D also includes Apogee's renowned
Soft Limit process, which maximizes recording level without
overs; and the return of Apogee's unique Soft Saturate system,
which simulates analog tape compression. Either feature can
be switched in and out on one or both channels |
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| Tascam
IF-DA8 |
 The
Tascam IF-DA8 is a fully-profesional converter
with TDIF to balanced XLR outputs. The IF-DA8 can also be used
for other D/A applications, such as integrating a digital recorder
into an analog console, or even as a splitter for live recording/monitoring
purposes.
|
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| Tascamb
ifae8hr |
 This
high-performance, 8 channel TDIF-1 to AES/EBU converter is just
what you need for integrating your T/DIF devices into an AES/EBU
system or a digital audio workstation. You get 24-bit conversion
in both directions. |
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| M
audio flying cow |
 M
audio flying cow High-quality stereo A/D and D/A conversion
is a compact, half-rack package, and an unbelieveable price!
The Flying Cow gives you balanced analog connections and supports
both AES and S/PDIF digital connections. It features 24-bit
conversions with 128x oversampling, providing a dynamic range
of 100 dB (A-weighted). Automatically clocks to incoming digital
data. Front panel analog gain control and ladder LED's allow
you to maximize levels for optimal digital resolution.
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| Tango24 |
 Tango24
has everything - stellar performance, fantastic sound, and compatibility
with a huge selection of the most popular audio gear. Use it
with your favorite digital audio software and you've got the
tools to make your 24-bit digital audio projects really sing.
What's more, Tango24 features ADAT lightpipe digital I/O, giving
you complete electrical isolation from your workstation. This
means no PC-generated noise will interfere with your sensitive
audio signal, so you get incredibly low noise, smooth sound,
and complete freedom from pops and clicks. •
8 analog outputs and 8 analog inputs
• Balanced audio I/O on professional 1/4" TRS jacks
+4dBu or -10dBV levels, selectable per channel
• Level meters selectable to inputs or outputs
• ADAT optical in/out/thru
• Internal (44.1 or 48 kHz) and external clock modes
• Word-clock in/out
• Rugged 1U rackmount enclosure
SPECS
• 24-bit 128x oversampling delta-sigma converters
• Frequency response: +/- 0.05 dB, 20Hz-20kHz
• Dynamic range: 105 dB A-weighted
• THD+N: 0.002%
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|
dCS 952 and dCS 954 |
 The
dCS 952 and dCS 954 24 bit DACs provide state-of-the-art
performance and between them cover all standard PCM sample rates
from 32 kS/s to 192 kS/s. The dCS 954 also supports the Sony
DSD® format. Both
units use our patented dCS Ring DAC architecture which offers
exceptional linearity, without the need for gain ranging and
which gives the sound quality a naturalness and transparency
previously only associated with the best analogue electronics.
All
principal functions are controlled via front panel switches,
making the units very easy to set up and use. A simple menu
system gives access to a wide range of additional functions,
such as anti-aliasing filter selection, self test, sync source
selection and a digital signal generator.
Extensive
use is made of programmable logic, allowing performance enhancements
and new features to be added by PC download via the rear panel
RS 232 port, or by a ROM chip change. This extends the products'
useful service life and reduces the overall ownership cost.
The
dCS Windows® remote control allows any combination of
up to six dCS converters to be controlled from a single COM
port
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| dCS
902 and dCS 904 |
 The
dCS 902 and dCS 904 ADCs provide state-of-the-art performance
and between them cover all standard PCM sample rates from 32
kS/s to 192 kS/s, with output wordlengths from 16 to 24 bits.
The dCS 904 also supports the Sony DSD® format.
Both
units use our patented dCS Ring DAC architecture which offers
exceptional linearity, without the need for gain ranging and
which gives the sound quality a naturalness and transparency
previously only associated with the best analogue electronics.
All
principal functions are controlled via front panel switches,
making the units very easy to set up and use. A simple menu
system gives access to a wide range of additional functions,
such as anti-aliasing filter selection, self test, sync source
selection and a digital signal generator.
Extensive
use is made of programmable logic, allowing performance enhancements
and new features to be added by PC download via the rear panel
RS 232 port, or by a ROM chip change. This extends the products'
useful service life and reduces the overall ownership cost. |
|
| dCS
972 and dCS 974 |
 The
dCS 972 and dCS 974 DDCs (Digital to Digital Converters) are
very high performance and versatile units designed for recording
and mastering studios, where reference quality conversion between
a wide range of digital audio formats and interfaces is required.
They have been described as the recording engineer's Swiss Army
Knife, which is a very appropriate description considering the
variety and versatility of the the functions that they can perform.
They are able to convert in real time between the majority of
standard sample rates from 192kS/s to 11.025kS/s, while less
common transitions are performed in two passes. In addition
they are able to convert between the standard PCM formats and
the new Sony DSD® format and visa versa (see Table 1). Wordlength
reduction and extension in the range 24 bits to 8 bits; noise
shaping and dithering functions are also provided. Numerous
other useful functions are incorporated which may be quickly
accessed using an easy to understand menu system. Important
unit parameters are shown on a large LCD display, which allows
the user to confirm the main settings at a glance. An LED display
warns when key parameters are not at their default settings.
User set-up memories allow the rapid recall of frequently used
configurations. |
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| dCS
992 Master Clock |
 The
dCS 992 Master Clock is a high stability reference generator
designed for studio and live recording applications. The unit
provides reference clocks to support systems sampling from 11.025kS/s
to 192kS/s or DSD, via AES3 or SDIF-2 Word Clock formats. |
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HOT AUDIO & VIDEO DEALS EVERY DAY
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