K 1000
Top-of-the-line, fully professional monitor headphones

Totally open designAdjustable speakers for optimized personal sound
K 1000
The K 1000 are a unique design that is the equivalent of wearing a pair of loudspeakers on the head. The speaker capsule uses a unique, freely vibrating multilayer diaphragm driven by a newly developed, radially magnetized VLD (Ventilated Linear Dynamic) magnet system. Sitting in front of the ear, this dynamic transducer provides the best acoustic coverage factor. The earphones using no acoustically hard parts, the sound is absolutely free to develop in all its splendor. The speakers are acoustically finetuned in a computer-optimized process including time-energy distribution (Wigner distribution) measurements and made with advanced manufacturing techniques. The result is an unobstructed plane sound field in front of the ear that provides a personalized listening experience.

AKG K 240 Studio
Semi-Open Circumaural Studio Headphones
Fantastic Value In A Studio Standard!
For over twenty years, professional engineers have made the K240 headphones the best selling and most widely used headphones in large studios, sound stages and orchestras around the world.

So, how does AKG improve on a standard? Featuring a new, low impedance XXL transducer with patented Varimotion technology, the K240 Studio headphones deliver a more accurate signal transfer and greater dynamic range than previously possible. Most importantly, these new headphones play louder than ever before!
Features:

• Dynamic headphones. Circumaural, semi-open
• Frequency Range: 15 Hz to 25,000 Hz
• Sensitivity: 91 db SPL/mW
• Power handling capability: 200 mW
• Rated impedance: 55 Ohm
• Cable: 3m (10 ft.) plug-in single cable
• Stereo adapter: gold plated, screw-on 3,5/6,3mm (1/8" to 1/4") jack
• Net Weight (without cable): 240 g (8.5 oz.)

the K 141 Studio serves as the reference standard for supra-aural (on-the-ear) monitor headphone designs. Now with Varimotion XXL capsule for studio sound at home and for portable use.

The new K 141 Studio is an updated version of the classic AKG K 141 Monitor, one of the world's most popular models. The K 141 Studio has new XXL transducers with lower impedance for higher sensitivity and a more powerful sound. The K 141 Studio's supra-aural (on-the-ear) design combined with a semi-open vented system gives the K 141 Studio its trademark sound: punchy, accurate and crisply defined.

The K 71 is a lightweight, comfortable headphone with good sound quality and high sensitivity that is a perfect upgrade from the headphones that come with portable audio devices. It's easy to use with a single-sided input cable, snap-on plug adaptor and removable, washable ear pads, plus its modern stylish design is functional and comfortable.
Features:

• Type: semi-open, supra-aural
• Frequency Range: 20 - 22,000 Hz
• Sensitivity: 100 dB
• Impedance: 19 ohms
• Weight: 140 g (4.9 oz

the HD 600 open dynamic professional stereo 'phones are an ideal choice for the pro audio engineer recording classical music. Exacting design standards ensure the finest performance. Features include high-quality, open metal mesh ear piece covers for extremely transparent sound, computer-optimized magnet systems to minimize harmonic and intermodulation distortion, and extremely lightweight aluminium voice coils for excellent transient response.

• High-quality open metal mesh earpiece covers for an extremely transparent sound
• Computer optimized magnet systems minimize harmonic and intermodulation distortion
• Extremely lightweight aluminum voice coils ensure excellent transient response
• Neodymium ferrous magnet systems ensure optimum sensitivity and an excellent dynamic response
• Exceptionally natural, spatial and accurate sound
• Detachable, Kevlar reinforced, OFC copper cable

The Fostex T40RP headphones deliver supreme uncolored reproduction and a natural clear sound across the full frequency range. The highs really do sparkle, the mids are crystal clear and nothing is missing from the low end. But it's the sonic quality at high sound pressure levels that really sets these headphones apart. Even the bass is powerful and distortion-free at high levels! Rugged and built to last, the T40RP's were also built for comfort. Padded ear cushions and wide, self adjusting headbands ensure maximum comfort and fit during extended wearing periods. A nice touch is the lockable single entry jack that minimizes cord tangles and offers excellent serviceability.

Whether you're monitoring analog or digital audio, work in a professional or project studio, mixing live or need a great pair of headphones for DJ applications, the Fostex T40RP headphones simply do the job!

The Fostex T40RP headphones deliver supreme uncolored reproduction and a natural clear sound across the full frequency range. The highs really do sparkle, the mids are crystal clear and nothing is missing from the low end. But it's the sonic quality at high sound pressure levels that really sets these headphones apart. Even the bass is powerful and distortion-free at high levels! Rugged and built to last, the T40RP's were also built for comfort. Padded ear cushions and wide, self adjusting headbands ensure maximum comfort and fit during extended wearing periods. A nice touch is the lockable single entry jack that minimizes cord tangles and offers excellent serviceability.

Whether you're monitoring analog or digital audio, work in a professional or project studio, mixing live or need a great pair of headphones for DJ applications, the Fostex T40RP headphones simply do the job!

The RH 600 Series of headphones from Samson are top quality cans! Designed for studio use, they feature thin, responsive 40-mm diaphragm drivers with special neodymium magnets and different grade transducers for each model. This gives them a clear, transparent, fully professional sound at a remarkably affordable price!

The RH600's ambient open-ear design with special acoustic mesh fabric ensures a comfortable listening experience. They also feature a very wide dynamic range and a linear frequency response from 20Hz to 22kHz for accurate, balanced audio reproduction.

Connect easily to any mixer; audio and power are supplied from the master to the remotes.

The system provides each musician with six volume controls: four monaural (for mixer channels or busses), plus one for an overall stereo mix and one for a stereo effects return.

Included is a very transparent 2:1 AGC (Automatic Gain Control) compressor.

The HM60 and HM59 each have a nine-band graphic equalizer for precise tone adjustment. The HM58 has Bass Mid and Treble controls.

All master and remote linking is done by standard DB25 MF cables available in many lengths.

The HM57 provides an inexpensive solution for getting the audio out to the HM59 and HM58 Remotes.

The Rolls HM series Headphone mixing system offers a great-sounding, cost effective and flexible way to provide custom monitor mixes in recording and live sound environments. The combination of unique functions and signal processing add functionality and convenience to any single or multiple-user monitoring application. The system has several options: the HM60 master unit can stand alone or serve as a front end for HM59 and/or HM58 remotes. The remotes come with a 25' DB25 MF cable and can be "daisy chained" around the stage or studio as desired. The DB25 cable is a standard 25 pin computer serial cable and is available in several lengths. The HM60, HM59 and HM58 units are ideal as low distortion headphone drivers for the most critical listening situations. They have mixing capabilities, as well as important signal processing functions to provide a clear and comfortable listening environment. The HM60 and HM59 each have a nine-band graphic equalizer, and the HM58 has Bass, Mid, and Treble controls. Each also features a Rolls 2:1 AGC compressor to comfortably provide even signal dynamics. In addition to providing high current differential buffered signals, the HM60 and HM57 also provide power and ground to the HM58 and HM59 remote mixers. The units clamp to any mic stand. They are housed in rugged painted steel chassis, use only the finest quality components, and come complete with a limited One-Year Warranty.

• SPECIFICATIONS
  Input Impedance: 20K ohms
  Sensitivity: Variable, -10 to +4 dB for rated output
• Power Output:
• >500 mW at 32 ohms (>150 mW at 600 ohms) 20 Hz to 20 KHz.
• Connectors:
  HM60:
  Inputs: 1/4" phone, balanced or unbalanced.
  Outputs: 1/4" TRS stereo headphone jack, DB25 jack
• HM58/59:
  Inputs: DB25 Connector.
  Output: 1/4" TRS stereo headphone jack.
• HM57:
  Inputs: 1/4" phone, balanced or unbalanced
  Output: DB25 connector
• Distortion: 0.008% THD full power @ 1 KHz;
  0.05% THD 20Hz to 20 KHz
• Dynamic Range: Greater than 96 dB
• Freq. Response: 20 Hz to 20 KHz, +0, -1 dB 400 mW output
• Power Requirement: HM60; 120 VAC, 60 Hz, 12 watts,
  HM57 12VAC power adapter (included)
  HM58/HM59; Power provided via DB25 cable
• Dimensions: HM60: 1.75" x 19" x 7.25" (HxWxD)
  Weight: 6.8 lbs. (3.1 kg)
• HM59: 1.25" x 9" x 6.3"
  Weight: 4 lbs
• HM58: 1.68" x 7.6" x 3.45"
  Weight: 2 lbs
• HM57 1.325" x 5.5" x 3.3"
  Weight: 1 lb

Connect easily to any mixer; audio and power are supplied from the master to the remotes.

The system provides each musician with six volume controls: four monaural (for mixer channels or busses), plus one for an overall stereo mix and one for a stereo effects return.

Included is a very transparent 2:1 AGC (Automatic Gain Control) compressor.

The HM60 and HM59 each have a nine-band graphic equalizer for precise tone adjustment. The HM58 has Bass Mid and Treble controls.

All master and remote linking is done by standard DB25 MF cables available in many lengths.

The HM57 provides an inexpensive solution for getting the audio out to the HM59 and HM58 Remotes.

The Rolls HM series Headphone mixing system offers a great-sounding, cost effective and flexible way to provide custom monitor mixes in recording and live sound environments. The combination of unique functions and signal processing add functionality and convenience to any single or multiple-user monitoring application. The system has several options: the HM60 master unit can stand alone or serve as a front end for HM59 and/or HM58 remotes. The remotes come with a 25' DB25 MF cable and can be "daisy chained" around the stage or studio as desired. The DB25 cable is a standard 25 pin computer serial cable and is available in several lengths. The HM60, HM59 and HM58 units are ideal as low distortion headphone drivers for the most critical listening situations. They have mixing capabilities, as well as important signal processing functions to provide a clear and comfortable listening environment. The HM60 and HM59 each have a nine-band graphic equalizer, and the HM58 has Bass, Mid, and Treble controls. Each also features a Rolls 2:1 AGC compressor to comfortably provide even signal dynamics. In addition to providing high current differential buffered signals, the HM60 and HM57 also provide power and ground to the HM58 and HM59 remote mixers. The units clamp to any mic stand. They are housed in rugged painted steel chassis, use only the finest quality components, and come complete with a limited One-Year Warranty.

• SPECIFICATIONS
  Input Impedance: 20K ohms
  Sensitivity: Variable, -10 to +4 dB for rated output
• Power Output:
• >500 mW at 32 ohms (>150 mW at 600 ohms) 20 Hz to 20 KHz.
• Connectors:
  HM60:
  Inputs: 1/4" phone, balanced or unbalanced.
  Outputs: 1/4" TRS stereo headphone jack, DB25 jack
• HM58/59:
  Inputs: DB25 Connector.
  Output: 1/4" TRS stereo headphone jack.
• HM57:
  Inputs: 1/4" phone, balanced or unbalanced
  Output: DB25 connector
• Distortion: 0.008% THD full power @ 1 KHz;
  0.05% THD 20Hz to 20 KHz
• Dynamic Range: Greater than 96 dB
• Freq. Response: 20 Hz to 20 KHz, +0, -1 dB 400 mW output
• Power Requirement: HM60; 120 VAC, 60 Hz, 12 watts,
  HM57 12VAC power adapter (included)
  HM58/HM59; Power provided via DB25 cable
• Dimensions: HM60: 1.75" x 19" x 7.25" (HxWxD)
  Weight: 6.8 lbs. (3.1 kg)
• HM59: 1.25" x 9" x 6.3"
  Weight: 4 lbs
• HM58: 1.68" x 7.6" x 3.45"
  Weight: 2 lbs
• HM57 1.325" x 5.5" x 3.3"
  Weight: 1 lb

Connect easily to any mixer; audio and power are supplied from the master to the remotes.

The system provides each musician with six volume controls: four monaural (for mixer channels or busses), plus one for an overall stereo mix and one for a stereo effects return.

Included is a very transparent 2:1 AGC (Automatic Gain Control) compressor.

The HM60 and HM59 each have a nine-band graphic equalizer for precise tone adjustment. The HM58 has Bass Mid and Treble controls.

All master and remote linking is done by standard DB25 MF cables available in many lengths.

The HM57 provides an inexpensive solution for getting the audio out to the HM59 and HM58 Remotes.

The Rolls HM series Headphone mixing system offers a great-sounding, cost effective and flexible way to provide custom monitor mixes in recording and live sound environments. The combination of unique functions and signal processing add functionality and convenience to any single or multiple-user monitoring application. The system has several options: the HM60 master unit can stand alone or serve as a front end for HM59 and/or HM58 remotes. The remotes come with a 25' DB25 MF cable and can be "daisy chained" around the stage or studio as desired. The DB25 cable is a standard 25 pin computer serial cable and is available in several lengths. The HM60, HM59 and HM58 units are ideal as low distortion headphone drivers for the most critical listening situations. They have mixing capabilities, as well as important signal processing functions to provide a clear and comfortable listening environment. The HM60 and HM59 each have a nine-band graphic equalizer, and the HM58 has Bass, Mid, and Treble controls. Each also features a Rolls 2:1 AGC compressor to comfortably provide even signal dynamics. In addition to providing high current differential buffered signals, the HM60 and HM57 also provide power and ground to the HM58 and HM59 remote mixers. The units clamp to any mic stand. They are housed in rugged painted steel chassis, use only the finest quality components, and come complete with a limited One-Year Warranty.

• SPECIFICATIONS
  Input Impedance: 20K ohms
  Sensitivity: Variable, -10 to +4 dB for rated output
• Power Output:
• >500 mW at 32 ohms (>150 mW at 600 ohms) 20 Hz to 20 KHz.
• Connectors:
  HM60:
  Inputs: 1/4" phone, balanced or unbalanced.
  Outputs: 1/4" TRS stereo headphone jack, DB25 jack
• HM58/59:
  Inputs: DB25 Connector.
  Output: 1/4" TRS stereo headphone jack.
• HM57:
  Inputs: 1/4" phone, balanced or unbalanced
  Output: DB25 connector
• Distortion: 0.008% THD full power @ 1 KHz;
  0.05% THD 20Hz to 20 KHz
• Dynamic Range: Greater than 96 dB
• Freq. Response: 20 Hz to 20 KHz, +0, -1 dB 400 mW output
• Power Requirement: HM60; 120 VAC, 60 Hz, 12 watts,
  HM57 12VAC power adapter (included)
  HM58/HM59; Power provided via DB25 cable
• Dimensions: HM60: 1.75" x 19" x 7.25" (HxWxD)
  Weight: 6.8 lbs. (3.1 kg)
• HM59: 1.25" x 9" x 6.3"
  Weight: 4 lbs
• HM58: 1.68" x 7.6" x 3.45"
  Weight: 2 lbs
• HM57 1.325" x 5.5" x 3.3"
  Weight: 1 lb

Connect easily to any mixer; audio and power are supplied from the master to the remotes.

The system provides each musician with six volume controls: four monaural (for mixer channels or busses), plus one for an overall stereo mix and one for a stereo effects return.

Included is a very transparent 2:1 AGC (Automatic Gain Control) compressor.

The HM60 and HM59 each have a nine-band graphic equalizer for precise tone adjustment. The HM58 has Bass Mid and Treble controls.

All master and remote linking is done by standard DB25 MF cables available in many lengths.

The HM57 provides an inexpensive solution for getting the audio out to the HM59 and HM58 Remotes.

The Rolls HM series Headphone mixing system offers a great-sounding, cost effective and flexible way to provide custom monitor mixes in recording and live sound environments. The combination of unique functions and signal processing add functionality and convenience to any single or multiple-user monitoring application. The system has several options: the HM60 master unit can stand alone or serve as a front end for HM59 and/or HM58 remotes. The remotes come with a 25' DB25 MF cable and can be "daisy chained" around the stage or studio as desired. The DB25 cable is a standard 25 pin computer serial cable and is available in several lengths. The HM60, HM59 and HM58 units are ideal as low distortion headphone drivers for the most critical listening situations. They have mixing capabilities, as well as important signal processing functions to provide a clear and comfortable listening environment. The HM60 and HM59 each have a nine-band graphic equalizer, and the HM58 has Bass, Mid, and Treble controls. Each also features a Rolls 2:1 AGC compressor to comfortably provide even signal dynamics. In addition to providing high current differential buffered signals, the HM60 and HM57 also provide power and ground to the HM58 and HM59 remote mixers. The units clamp to any mic stand. They are housed in rugged painted steel chassis, use only the finest quality components, and come complete with a limited One-Year Warranty.

• SPECIFICATIONS
  Input Impedance: 20K ohms
  Sensitivity: Variable, -10 to +4 dB for rated output
• Power Output:
• >500 mW at 32 ohms (>150 mW at 600 ohms) 20 Hz to 20 KHz.
• Connectors:
  HM60:
  Inputs: 1/4" phone, balanced or unbalanced.
  Outputs: 1/4" TRS stereo headphone jack, DB25 jack
• HM58/59:
  Inputs: DB25 Connector.
  Output: 1/4" TRS stereo headphone jack.
• HM57:
  Inputs: 1/4" phone, balanced or unbalanced
  Output: DB25 connector
• Distortion: 0.008% THD full power @ 1 KHz;
  0.05% THD 20Hz to 20 KHz
• Dynamic Range: Greater than 96 dB
• Freq. Response: 20 Hz to 20 KHz, +0, -1 dB 400 mW output
• Power Requirement: HM60; 120 VAC, 60 Hz, 12 watts,
  HM57 12VAC power adapter (included)
  HM58/HM59; Power provided via DB25 cable
• Dimensions: HM60: 1.75" x 19" x 7.25" (HxWxD)
  Weight: 6.8 lbs. (3.1 kg)
• HM59: 1.25" x 9" x 6.3"
  Weight: 4 lbs
• HM58: 1.68" x 7.6" x 3.45"
  Weight: 2 lbs
• HM57 1.325" x 5.5" x 3.3"
  Weight: 1 lb

FEATURES
Performers create their own personalized mix.
Use as a studio headphone system , live sound monitoring system or as a front end for wireless monitoring.

Connect easily to any mixer; audio and power are supplied from the master to the remotes.

The system provides each musician with six volume controls: four monaural (for mixer channels or busses), plus one for an overall stereo mix and one for a stereo effects return.

Included is a very transparent 2:1 AGC (Automatic Gain Control) compressor.

The HM60 and HM59 each have a nine-band graphic equalizer for precise tone adjustment. The HM58 has Bass Mid and Treble controls.

All master and remote linking is done by standard DB25 MF cables available in many lengths.

The HM57 provides an inexpensive solution for getting the audio out to the HM59 and HM58 Remotes.

The Rolls HM series Headphone mixing system offers a great-sounding, cost effective and flexible way to provide custom monitor mixes in recording and live sound environments. The combination of unique functions and signal processing add functionality and convenience to any single or multiple-user monitoring application. The system has several options: the HM60 master unit can stand alone or serve as a front end for HM59 and/or HM58 remotes. The remotes come with a 25' DB25 MF cable and can be "daisy chained" around the stage or studio as desired. The DB25 cable is a standard 25 pin computer serial cable and is available in several lengths. The HM60, HM59 and HM58 units are ideal as low distortion headphone drivers for the most critical listening situations. They have mixing capabilities, as well as important signal processing functions to provide a clear and comfortable listening environment. The HM60 and HM59 each have a nine-band graphic equalizer, and the HM58 has Bass, Mid, and Treble controls. Each also features a Rolls 2:1 AGC compressor to comfortably provide even signal dynamics. In addition to providing high current differential buffered signals, the HM60 and HM57 also provide power and ground to the HM58 and HM59 remote mixers. The units clamp to any mic stand. They are housed in rugged painted steel chassis, use only the finest quality components, and come complete with a limited One-Year Warranty.

• SPECIFICATIONS
  Input Impedance: 20K ohms
  Sensitivity: Variable, -10 to +4 dB for rated output
• Power Output:
• >500 mW at 32 ohms (>150 mW at 600 ohms) 20 Hz to 20 KHz.
• Connectors:
  HM60:
  Inputs: 1/4" phone, balanced or unbalanced.
  Outputs: 1/4" TRS stereo headphone jack, DB25 jack
• HM58/59:
  Inputs: DB25 Connector.
  Output: 1/4" TRS stereo headphone jack.
• HM57:
  Inputs: 1/4" phone, balanced or unbalanced
  Output: DB25 connector
• Distortion: 0.008% THD full power @ 1 KHz;
  0.05% THD 20Hz to 20 KHz
• Dynamic Range: Greater than 96 dB
• Freq. Response: 20 Hz to 20 KHz, +0, -1 dB 400 mW output
• Power Requirement: HM60; 120 VAC, 60 Hz, 12 watts,
  HM57 12VAC power adapter (included)
  HM58/HM59; Power provided via DB25 cable
• Dimensions: HM60: 1.75" x 19" x 7.25" (HxWxD)
  Weight: 6.8 lbs. (3.1 kg)
• HM59: 1.25" x 9" x 6.3"
  Weight: 4 lbs
• HM58: 1.68" x 7.6" x 3.45"
  Weight: 2 lbs
• HM57 1.325" x 5.5" x 3.3"
  Weight: 1 lb

HP4 from PreSonus answers the project studio owner's needs for headphone distribution with professional specifications and more in a small package with an affordable price. The unit comes in a 1/3 rack space chassis similar to the TubePre. The HP4 accepts balanced/unbalanced inputs and outputs (1/4" TRS). The input can either be set to stereo or mono. The mono selector button on the front channel simply copies both inputs to both sides.

The HP4 features four discrete headphone outputs on the front panel each with its own volume potentiometer and 250mW of amplification per channel. Can you say quiet? PreSonus can with the HP4's -98 dB noise floor and wide frequency response.

Also, the HP4 allows control over control room monitors with a separate volume potentiometer that can be muted using the MONITOR MUTE button. The HP4 is powered by an external wall mounted power supply.

The S•phone amplifier/mixer delivers the fully professional performance of a major studio processor while still leaving you with some money in your pocket! Featuring advanced analog signal processing, this four channel headphone amplifier puts you in total control of your sound. Featuring a Master Input for control of your overall stereo input; the ability to mix individual line signals with the main stereo input; mix control for each separate channel; and a 2-band equalizer on each channel, the S•phone offers incredible versatility in a 19" rackmount package!

Features:

• 2 Master Stereo Inputs plus Stereo Link Output
• 8 Segment LED Metering on Each Channel and Master
• 2-band Equalizer on Each Channel
• 3 Headphone Outputs per Channel (One Front Panel and Two Rear Panel Outputs)
• Auxiliary Input with Balance Control provides four Channels of "More Me" Mixing
• Mute and Stereo/2 Channel Mode Switches on Each Channel
• Maximum Output Power on Each Channel (Regardless of Headphone Impedance)
• Three-year Extended Warranty

HR-6 remote mixer provides each musician five volume controls: four monaural (for mixer channels or busses), plus one for stereo mix or stereo effects mix. It also features a "Submixes Included/Excluded" button, which mutes the four monaural controls, allowing each HR-6 user to hear stereo source only, without having to alter the HR-6's four monaural settings.

• Comes with (2) 25' ethernet cables (RJ-45