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AEA RC44 |
AEA RC44 Hand-crafted, museum quality, 44 reproduction.
The authentic sound, look and feel of the 1936-38 RCA 44.
This museum quality replica is hand made by Wes Dooley using
the same 1.8 micron ribbon material originally manufactured
for RCA. Original
black and silver "radio" finish with bright polished
chrome grill, yoke and cushion mount.
Hand sanded and polished sculpted black and silver transformer
case. R44C parts are interchangeable with the original RCA
44B and BX.
Supplied with hard wired two meter XLR output cable, shock
mount / mic stand adapter, and AEA 44VC vertical case for
proper shipping and storage.
In
today's environment, with all the hoopla and noise of thousands
of new and tried and true microphone companies scrambling
for attention, one microphone has a characteristic that is
most admirable. The AEA 44CX is possibly the most natural
sounding microphone being built today! There are many reasons
for selecting mics for specific applications, but getting
instruments and vocals to sound as they really do may be the
most overlooked approach in a very hypey age
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| AEA
R84 |
 AEA
R84 Studio Ribbon Mic neo·clas·sic
Using everything we learned by bringing you a remanufactured
RCA 44, we went back to the drawing board, re-engineering
it to create a whole new mic. With the improvements in technology
since the thirties and forties, we decided to redesign the
entire package to be more efficient, lighter and less expensive.The
only thing that remains unchanged is the New Old-Stock RCA
44 ribbon material.
What
we were left with is a new microphone and a classic sound.
Pure and true, it is remarkably free of distortion.
Just as versatile as its venerable father, it flatters voice,
strings, brass and drums.
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| AKG
C12 VR |
 AKG
C12 VR
Vacuum Tube Mic with 1" Twin Diaphragm Capsule Design and
9 Selectable Polar Patterns
Larger Picture
Description Specs Document Library Be the first to review this
product
Captures the Beauty of the Original, Legendary C12!
The last original C12 rolled off the assembly line in 1963.
Over the years it has become a much sought-after collector's
item because of its legendary sound. Sweetwater invites you
to say hello to the C12 VR, a microphone that is true to the
original C12's electronic and acoustic design with a few subtle
refinements made possible through today's technology. Many sound
engineers feel this is one of the finest microphones ever made.
With the same 6072 vacuum tube at the heart of its circuitry,
even the most discriminating user will recognize all the warmth,
clarity and presence that characterized the original C12. The
C12 VR comes complete with a rugged aluminum case, power supply,
shock mount and windscreen. |
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| C414BTLII |
 The
sound of the C414BTLII is instantly recognizable
and effortlessly compelling. It's the sound of the legendary
C12, originally released in the 1950s and never faithfully imitated.
. . until now. The C414BTLII captures the classic sound of the
C12 unlike any microphone since. All the warmth, character and
superior presence of the original are here, with state-of-the-art
transformerless output circuitry. The result is a microphone
that exceeds all of today's digital recording requirements,
while delivering extraordinary vocal clarity. And now the C414B/TLII
is more affordable than ever before. You can actually get the
best of two legendary sounds in one affordable microphone. It's
one of the most versatile microphones you'll ever encounter.
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| C
414 B-ULS |
 The
C 414 B-ULS has a well-deserved reputation for flawless performance
and uncommon flexibility in the most demanding studio and concert
sound applications. The crisp, full-bodied, and naturally open
character of the C 414 B-ULS makes it a preferred choice for
critical recording or reinforcement of vocals, piano, percussion,
and other instruments with delicate transient content. Dual
one-inch, gold-sputtered diaphragms coupled to Ultra Linear
Series electronics deliver exceptionally flat on-axis response,
while advanced capsule design assures uniform off-axis transitions.
Four selectable polar patterns precisely tailor response
for maximum versatility, and two bass filter settings suppress
unwanted low frequency components. Extremely low self-noise
and high overload points combine for a remarkably wide 126
dB dynamic range, well in excess of digital media capabilities.
The switchable 10 dB or 20 dB internal preattenuation pads
allow use on instruments producing over 150 dB SPL with THD
held to less than 0.5%. A worldwide studio standard in every
respect, the C 414 B-ULS comes complete with spider suspension,
windscreen, and individually tested frequency response curve.
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| AKG's
C451 |
 AKG's
C451 was one of the all-time great studio condenser
microphones. Though the original C451 mic ended production many
years ago, it's still an extremely popular staple in studios
all over the world.
One of its most common applications is for drum overheads,
and many engineers say there's nothing quite like it for mic'ing
cymbals - the metallic "crash" comes through brilliantly.
The enduring popularity of the C451 inspired AKG to bring
this mic back in the C 451B. Sonically identical to the original,
which featured the much-acclaimed CK-1 cardioid capsule, the
new C451B is incredibly precise and accurate
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C4000B |
 The
C4000B is the latest in AKG's line of large
diaphragm, premium microphones. Selectable polar patterns make
the C4000B suitable for both studio and stage, while the optimized
transformerless output stage ensures accurate low frequency
and self-noise so low it's practically non-existent. With the
C4000B you'll capture open, clear, and natural highs along with
smooth lows - perfect for miking vocals, strings, brass or woodwinds,
to name just a few applications. All electric contacts are hard
gold-plated to prevent aging and corrosion, and a two-part,
heavy-duty body protects the internal components from damage
due to mishandling. A beautiful microphone with an even more
beautiful sound.
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AT825 |
 The
AT825 is an easy to use, great sounding stereo
microphone. Two condenser elements set up in an optimally positioned
in a wide-range XY configuration means it's perfect for field
DAT work and sampling. The AT825 can be used with conventional
phantom power, or powered by an internal battery for over 1,000
hours. Included is a 5 meter cable, 5-pin XLR-F to two standard
3-pin XLRM connectors |
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| AT4040 |
 The
AT4040 offers smooth, natural and extremely
musical sonic character with a wide dynamic range and the ability
to handle extremely high SPL's. A nickel-plated brass element
baffle has been precision-machined to provide enhanced element
stability and optimal sensitivity. An open acoustical environment
of the symmetrical housing assembly minimizes unwanted internal
reflections. The AT4040's two-micron-thick diaphragm provides
accurate reproduction of even the subtlest sounds without sacrificing
high-frequency performance.
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AT4060 |
 The
AT4060 brings the quality and affordability
of the AT40 Series to the TUBE-domain for those serious about
capturing the best sound possible while recording in the studio.
This highly versatile, cardioid-only mic sounds spectacular
and boasts a wide dynamic range and low self-noise. The tubes
are hand-selected, aged and individually tested to ensure that
vintage tube sound. Put that warm, punchy sound that listeners
love into your recordings with the AT4060!
• Vintage tube sound with the versatile performance
necessary for the most demanding studio applications.
• Wide dynamic range, low self-noise and high max SPL
capability.
• Carefully-controlled cardioid pattern maintains uniform
off-axis response.
• Dual large-diaphragm elements for extended frequency
response.
• Hand-selected tubes are aged and individually tested
to ensure peak performance.
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| SCX-25 |
 SCX-25
delivers a sound quality found in classic mics that are much
larger and many times more expensive. Uniquely shock-mounted
within an intricate machined brass ring, the capsule is isolated
from the microphone body and the electronics. By successfully
minimizing acoustic reflections and diffractions, SCX-25 delivers
a pure, open-air sound unlike any other mic.
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| BraunerValvet
Voice |
 The
Valvet Voice® Limited Edition possesses
a cardioid polar response with selectable phase invert, hard
ground, soft ground, or ground lift. Technicians hand-assemble
each microphone from Class A amplifiers, custom built Lundahl
transformers, and JAN tubes, and Dirk Brauner himself hand-tunes
each production unit. Brauner's combination of exceptional design
and careful manufacturing give the Valvet Voice (R) Limited
Edition an incredible sound that transcends even its matchless
specifications.
"Studio insiders already know that nothing else sounds
like a Brauner," noted Brad Lunde, president of Transamerica
Audio Group, Brauner's US distributor. "Dirk combines
the very best design virtues of the past with the improved
materials of today to produce his microphones - a simultaneously
sensible but rare combination of approaches in today's market.
The Valvet Voice (R) delivers Brauner's classic sound for
critical vocal applications
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Brauner VM1 |
 The
Brauner VM1 is Dirk Brauner's baby. He designed
it to become your reference mic, the very best you've got. He
did it because he wanted to prove it could be done: build it
the "old world" way with new components. The VM1 is
unique in the industry in that inside, there are no simi-
conductors in the signal path. There are no connectors between
the capsule and the control grid of the tube, avoiding parasitic
capacitance in the high impedance area. No switches or filters
are used for the same reason, avoiding audible phase shift and
transient distortion. The mic amplifier is a pure Class A, and
a Brauner designed, hand wound, twin core transformer with specifically
chosen core material assure the user of the highest possible
performance. A heavy machined frame holds the VM1 workings solidly
inside the heavy anodized case. Even the popscreen is a work
of art, I call it the Superscreen- and it is unique. Designed
to be acoustically transparent, it has a specific design that
does not shift phase of the incoming acoustical signal, so it
is completely neutral-unlike the popper stopper screens. The
pattern control which is infinitely variable from figure eight
to omni, is located on the power supply so you don't have to
get up and disturb the artist or climb a ladder to change pattern.
The Shock Mount is very heavy duty, with "fail safes"
built in to prevent accidental dropping of the mic during set-up.
There's a clever little spring loaded wrench built-in to adjust
the shock mount angle so you never have to bruise your fingers
or knuckles clamping down a mic.
This mic is built for the real studio, and I don't think
you've seen this kind of personal attention to detail in microphone
construction or design in a long, long time. But then, Dirk
is a very unique guy. I think you'll be impressed.The Brauner
VM1 microphone "sound" defies description-it sounds
like the best of the old mics in a way...great transients,
wonderful silkiness in the mids and top, yet it sounds unlike
anything you have ever heard before. Transparency is the only
word I can think of to reflect what a Brauner is, although
that word is so over used that it's lost it's meaning. If
you are expecting the old U47 sound, this is not the mic.
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| BLUE
Baby Bottle |
 BLUE
Baby Bottle
Cardioid Condenser Microphone with Class A Discrete Circuitry
and Hand-Built Large Diaphragm
The Baby Bottle: BLUE's most affordable mic
All the styling, attention to detail, and hand-crafted quality
for which BLUE has become famous is evident in the Baby Bottle,
a solid-state, Class A discrete condenser mic that brings BLUE
performance to a great low price point. Every part of the Baby
Bottle has been hand selected to ensure nothing short of a stellar
performance. Enclosed in a Lollipop spherical grille is a precision-machined,
gold-sputtered capsule with a fixed cardioid pattern. The Baby
Bottle is ideal for recording vocals, percussion, or any acoustic
instruments, and comes nestled inside a velvet pouch protected
by a beautiful cherry wood box. |
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| BLUE
Blueberry |
 BLUE
Blueberry
Cardioid Condenser Microphone with Hand-Built Large Diaphragm
Capsule
Winner of Electronic Musician's 2000 Editors' Choice Award for
Best Microphone!
One of B.L.U.E.'s most affordable microphones, Blueberry emulates
the intimate response of vintage tube vocal mics found in some
of the world's top studios. Your vocals really stand out in
the mix! But the Blueberry's ability to handle loud volume means
it's a great choice for a wide variety of horns, percussion,
and more. Technically, the Blueberry is a transformer output
solid state cardioid condenser microphone. All you have to know
is that it's a wonderfully-constructed, sweet-sounding studio
mic at a price that won't break you! |
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| Big
blue Bottle |
 The
Bottle not only sounds like a dream, but it's
extremely versatile. The Bottle features eight different interchangeable
capsules, so you can change capsules to deliver different tonality,
patterns and uses while the microphone is still turned on, thus
eliminating the need for many types of mics. The amplifier design
is based on a single vacuum tube pentode EF86 in a triode mode.
BLUE hand selects the tube for low noise performance.
The
Bottle microphone is packaged with one B6 Lollipop capsule
and the 9610 Tube Microphone Power supply. BLUE has developed
the 9610 with the new SOFT START feature to assure the longevity
of the vacuum tube, and the stability of the microphone circuitry.
No other commercially available tube microphone power supply
offers this unique feature. Champagne tube microphone cable
is standard inclusion and all the above is all housed in a
Blue velvet lined ATA approved flight case.
Discover
why the sound of the BLUE Bottle has engineers and audio pros
everywhere raving!
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Blue Cactus |
 The
Cactus delivers detailed, inviting, totally professional
sound reproduction in the tradition of the world's most-loved
vintage microphones. This multi-pattern, large-diaphragm microphone
sounds fantastic in a wide range of recording applications.
Vocals, in particular, sound awesome - clearer, more up-front
and more intimate than many of the mics you've heard before.
The amplifier design of the Cactus is based on a single vacuum
tube sub-miniature for a signal path of the highest quality.
It comes with shockmount, pop filter and A.T.A. flight case |
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Blue Dragonfly |
 the
Dragonfly rules. It provides a similar sweet
sound as that of the vintage Neumann and AKG mics heard on thousands
of pop recordings in a huge range of styles. Similar in quality,
that is, because the Dragonfly is no mere imitator. It puts
its own distinctive signature on the sound. No matter what the
size of your recording facility, you NEED a Dragonfly in your
studio! The ability to position the capsule at so many angles
relative to a sound source opens up a world of sonic opportunity
for you. And since the Dragonfly is the most affordable of B.L.U.E.'s
high-performance mics, project studio owners can now afford
to treat their studio to these sweet B.L.U.E. sounds.
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Blue Kiwi |
 B.L.U.E.'s
top-of-the-line, solid-state microphone! The Kiwi
is a multipattern studio condenser mic with a world-class performance
all its own - it looks and sounds like no other mic. Capsule
patterns feature cardioid, figure 8, omni, and selections in
between for a total of nine different choices. Though it's great
for a wide number of recording applications, the Kiwi is really
sweet on vocals, adding punch, clarity and a unique low-end
warmth on both spoken and singing tracks. It includes "The
Shock," a robust shock-mount.
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Blue Mouse |
 The
Mouse delivers the bright, forward sound typical
of the classic large diaphragm mics like the Neumann U47 and
AKG C-12, mics that have been staples of some of the most memorable
pop records for decades. Your recordings not only sound great,
but they have that special quality that listeners respond to
immediately. This cardioid condenser microphone pushes vocals
and instruments right up to the front of a mix! It features
a swiveling capsule and solid-state transformer-coupled electronics.
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Coles 4038 |
 The
Coles 4038 Studio Ribbon Microphone was designed
by the BBC as a broadcast recording microphone with exceptionally
flat frequency response from 30 Hz to 15,000 Hz. The Coles 4038
provides a natural, smooth sonic quality and textured response
to the sound signal. A 4069 XLR Connector and Rigid Mic-mount
are supplied with the microphone. From distorted guitar to classic
grand piano describes the widely diverse applications in which
this microphone is used. Many of the leading record producers
use this classic mic in any number of applications. The 4038
has become one of the primary tools of choice throughout the
recording industry.
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| Coles
4040 |
The
Coles 4040 is the newest addition to the Coles line of ribbon
microphones. With a bold look, greater output, and a wider
frequency response, the Coles 4040 is sure to compliment any
studio microphone cabinet. The 4040 comes complete with internal
shockmount that can be secured for transit, an adjustable,
universal stand mount, and a hard case for storage.
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| Coles
4104B |
 Coles
4104B XLR Noise Canceling Commentator's Ribbon Mic
was also designed by the BBC for use in reproducing high quality
commentary speech from noisy surroundings by canceling out a
considerable degree of background noise. It is being used by
all major U.S. networks and their affiliates in broadcasting
important sports events, political conventions, on-site news
reporting, and many other noisy environments. The Coles 4104B
has emerged as an indispensable tool in mobile news satellite
units because of its unique noise canceling characteristics
which have made it the only real choice in these excessively
noisy environments.
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| Neumann
BCM 104 |
 The
Neumann BCM 104 -the first in the new Broadcast
Line series - is a transformerless, large diaphragm, cardioid,
condenser microphone, tailored to the demands of professional
radio broadcast. The K 104 capsule provides a flat frequency
response up to 3 kHz, with a maximum 2 dB presence lift at higher
frequencies, achieved acoustically without incurring phase distortions.
Transient response and acoustic transparency are exemplary.
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| KM
184 |
 The
KM 184 is the perfect example. Need a microphone to record percussion,
cymbals or brass instruments? The KM 184 is capable of handling
high sound pressure levels with ease - as high as 138dB before
overloading. But it's also extremely quiet, making it an excellent
choice for capturing the subtle nuances of acoustic guitars
and orchestral instruments. And you get that classic Neumann
sound!
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| KMS
105 |
 KMS
105 Vocalist Microphone Designed
with superlative vocal reproduction in mind, the KMS 105 brings
Neumann quality to the demanding sound reinforcement environment.
With its super-cardioid polar pattern, low self noise and
colorless off-axis pickup, the KMS 105 complements in-ear
monitor systems. By employing a unique triple acoustic filter,
The KMS 105 minimizes popping and wind noise, and with special
mechanical and electrical filters, handling noise is virtually
eliminated. Because of the superior resolution and linear
high frequency response, it is very easy for the artist using
the KMS 105 to identify whether he or she is "on mic".
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| M
149 |
 The
M 149 Tube is a large-diaphragm condenser microphone
with switchable polar patterns. It is the first new 'Tube' microphone
design from Neumann in over 30 years, and also the world's first
transformerless tube microphone. The head grill is instantly
recognizable to vintage Neumann afficionados as that of the
classic M 49/M 50. The capsule (K 49), also from the M 49, is
a select version of the K 47 capsule from the famous U 47. The
M 149 Tube has the lowest self-noise of any tube microphone
on the market and features 9 polar patterns switchable on the
microphone body. There is also a 7 position high-pass filter
on the rear of the microphone body. The circuitry of the M 149
Tube includes a tube amplifier coupled with the FET 100 transformerless
circuitry as used in our award-winning TLM 50 microphone. We
have been approached by scores of customers asking us to build
again the classic U 47. Unfortunately, the VF 14 tube of the
U 47 is no longer available. We have optimized the M 149 Tube
to have a sound "character" very similar to the U
47. Also, by incorporating modern technology with the tube amplifier,
we are able to produce a tube microphone with unprecedented
specifications. Vintage and modern technology combined!
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| TLM
103 |
 TLM
103 is the ideal large diaphragm microphone for all
professional and semi-professional applications requiring the
utmost in sound quality on a limited budget. By utilizing the
tried and true transformerless circuit found in numerous Neumann
microphones, the TLM 103 features yet unattained low self-noise
and the highest sound pressure level transmission. The capsule,
derived from that used in the U 87, has a cardioid pattern,
is acoustically well-balanced and provides extraordinary attenuation
of signals from the rear. The
TLM 103 is available in satin nickel and matte black. Delivery
includes an SG 103 swivel mount and a wooden jeweler's box.
Applications
Due
to the universal cardioid pattern, straightforward handling,
extremely low self-noise level, and finally, the price, the
TLM 103 is predestined for all demanding applications from
home recording to professional broadcasting and commercial
recording studios.
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| Rode
NT Classic |
 the
NT Classic is an amazing performer. Nine (count
them) different polar response patterns provide great flexibility
in capturing the very best sound in each recording application.
•
Valve pre-amplifier
• 6072 tube, internally shock mounted
• Custom designed Jennson™ transformer
• -10 dB and -20 dB pads (switched from power supply)
• 2 position high pass filter (switched from power supply)
• 9 polar patterns (switched from power supply) |
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| Rode
NT1-A |
 NT1-A
is one of the world's quietest microphones! Why is that important?
Low noise will give your work the dynamics you deserve. Adding
noise from any device, especially at the source, only degrades
your performance. The NT1-A has a self-noise of only 5 dB-A!
We don't know of another studio microphone in its class that
can make this claim. Continuing
the tradition of the original NT1, the NT1-A is a budget-busting
microphone that delivers great sound and quality that you
can see and hear. The body is satin, nickel-plated and RODE
includes a dedicated shock mount and zip pouch. Finally, use
the NT1-A on just about anything from vocals to guitar cabinets.
The NT1-A is affordable enough to purchase two for overheads
and stereo placement. |
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Rode NT4 |
 The
NT4 might be one of the most interesting mics
we've seen in a long time. It's a cardioid condenser stereo
mic with capsules fixed in an XY pattern. Because of its unique
design, this mic sounds as pristine as it is different and delivers
perfect stereo reproduction every time it is used. It comes
complete in a RODE case with a stand mount, wind shield and
custom stereo cables which include both XLR and Mini Jack connectors,
making the NT4 a totally flexible unit and enabling direct connection
to most recording devices. Supplied
with Custom case, RM3 stand mount, WS4 windscreen, Custom
Stereo Cable (including mini jack and XLR). Check out the
NT5 for a matched pair without dual head design.
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| Rode
NT2000 |
 The
NT2000 boasts fully variable control - a totally
variable polar pattern, a totally variable high-pass filter,
and a totally variable pad, all located on the mic's body! This
gives you the ability to totally customize your sound from take
to take, singer to singer, session to session with this one
mic! The
heart of the NT2000 is the Australian designed and manufactured
TYPE HF1 dual diaphragm capsule. The frequency and transient
response of this new transducer has been voiced to complement
today's modern recording techniques, and yet still evoke the
silky smooth character of the legendary mics of the 50s and
60s.
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| RODE's
K2 |
 RODE's
K2 represents an excellent value in a tube microphone,
combining incredibly low noise, low distortion and high SPL
with the type of fantastic lush sound you'd expect from a high-end
tube microphone. Amazingly
Quiet & Versatile!
The ultimate in pure rich tube sound and performance, the
K2 also delivers super low self noise (10 dBA), high max SPL
(162 dBA), and mega wide dynamic range (150 dB). Featuring
totally variable polar pattern control for an unbeatable combination
of flexibility and power, the K2's legendary sound quality
inspires those magic takes in even the most demanding recording
applications.
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Rode NTK |
 The
NTK is a valve microphone designed exclusively
for recording professionals who want what only the best can
offer. The NTK has a large (1") capsule gold plated membrane,
with twin triode valves hand graded and selected especially
for use in the NTK. The
NTK delivers the wide dynamic range, ultra low noise, and
the quality and warmth demanded when choosing a valve microphone.
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| Royer
R-121 |
The R-121 is the world's first radically redesigned
ribbon microphone and Royer's flagship product. Like most ribbons,
the R-121's pattern is figure 8, its sensitivity is roughly
equal to a good dynamic mic, and it exhibits a warm, realistic
tone and flat frequency response (see R-121 Frequency Response).
But when it became time to design, we threw out the molds and
took a fresh approach to ribbons using advanced materials and
cutting edge construction techniques. Today the R-121 completely
redefines ribbon microphones, leading Recording Magazine to
say "the Royer R-121 is destined to become one of the classic
microphones of the 21st century". It's a sleek, light,
extremely versatile microphone that is easy to use, wonderfully
musical, and sturdy enough for us to give it a lifetime warrantee!
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Royer R-122 |
Royer R-122 "Active Series", phantom
powered ribbon microphone The
R-122 is the world’s first phantom powered ribbon microphone.
It delivers all of the warm, natural tone of our R-121 ribbon
mic, but with 15 dB more gain and, even better, impedance
matching circuitry that allows the ribbon to operate at it's
full potential regardless of the preamplifier you plug it
into.
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| Royer
SF-12 |
The Royer/Speiden SF-12 stereo coincident ribbon
microphone is one of the finest devices of its kind, combining
high quality audio performance with outstanding stereo separation
and imaging. It is a modern ribbon design with no audible diffraction
effects or cavity resonance. An SF-12 is actually two matched
microphones placed one above the other, each aimed 45 degrees
from center. The frequency response is excellent regardless
of the angle of sound striking the ribbons and off-axis coloration
is negligible. The SF-12's extension cable comes with a Y adapter
that splits into separate 3-pin male XLR connectors. The two
connectors are labeled "Upper" and "Lower"
for the upper and lower capsules of the microphone (when held
vertically). The
two 1.8-micron ribbons are of pure aluminum (99.99%), each
weighing approximately 1/3 milligram and producing superb
transient response. The magnet/polepiece structure allows
a wide uniform frequency range with no substantial peaks or
dips. The case is ingot iron and forms part of the magnetic
return circuit, an effective system with low leakage flux
which accounts for the relatively high sensitivity in a trim
package
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| SE
Electronics SE 3600 |
 SE
Electronics SE 3600 Class A FET microphone is an updated
version of the SE 3500. It's boasts a 1.07"diaphragm and
Class A FET preamp providing full range response and maximum
output with low noise. A stylish new body has been added but
the remarkable achievement in quality, performance and price
remains the same.
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| SE
Series 5500 |
 SE
Series 5500 tube condenser microphone like it's predecessor,
offers vintage tube microphone performance at a fraction of
what you would expect to pay but that is where the similarity
ends. Rich, warm sound from it's l"gold vapor diaphragm
had been remarkably improved With the adaptation of the 12AX7
tube and upgraded specifications overall, the combination of
which produces stunning results on any recording. The SE 5500
is accompanied by a remote regulated power supply, cable, suspension
shock mount and deluxe case
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| SE
22 |
 SE
22 great for Stereo Miking instruments |
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| Z-5600 |
 Z-5600
Vacuum tube microphone establishes a whole new level of performance
and features SE Electronics.The new Z-5600 features a 9-point
polar pattern selector located2on it`s custom power supply.This
allows the user to switch between the standard omnidirectional,
cardioid,and figure-8(bi-directional) patterns gradually,thus
providing superior control in any recording environment.The
size of the 24K gold-sputtered diaphragm has increased from
a standard 1" to a super-large 1.07".This results
in a fatter bottom end response and a higher sensitivity.The
mocrophone uses a replaceable 12AT7 tube in its circuit and
boasts a very low self-noise rating for a microphone of its
type.For a warm tone and a character that engineers and soloists
have come to love with vintage technology,choose the new Z-5600
microphone. |
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| Soundelux
E47 |
 Soundelux
E47 The
1950's era Tube 47 remains an essential studio microphone,
known for its big vocal sound and excellent, smooth response.
As a sought after vintage microphone, most of the Tube 47s
found on the resale market today are typically compromised:
collectors and rental houses snatched the good ones up long
ago.
The
Soundelux E47 recreates the extraordinary sound of the best
original Tube 47 versions while maintaining the features and
the mechanical and electrical topology of the original.
The
E47 is a variable pattern microphone to be prized for vocal
and instrument applications. |
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| ELUX
251 |
 The
ELUX 251 recreates the sonic beauty of the
fabled Telefunken ELAM 251, one of the most sought after vintage
mics ever built. Its strong, powerful bottom and airy, unabrasive
top puts this mic leagues ahead of others; its performance simply
cannot be found in cheaper microphones. This
characteristic gives the sense that its response extends well
beyond the normal range of a studio microphone.
No
Compromise Construction Hand built, hand tuned, strictly tested
European capsules
Time proven tube and transformer circuitry All electronic
components are point to point wired
Each individual component in every microphone has been pre-screened
for its sonic quality
The power supply is true to the original, unregulated supply
Real Vintage Quality Performance
Excellent bass simultaneously occurring with an open, airy
top end
Fulfills the quest for high frequency response that is not
only present, but is natural, quality tone
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Soundelux ifet7 |
 The
new ifet7 is a phantom powered FET condenser
microphone that combines a top quality German-made capsule with
two sets of completely different sounding internal electronics.
With the click of the "Vocal/Instrument" switch, engineers
can go from the 47 (I mode) to the 87 (V mode) and back again.
The ifet7 "I mode" incorporates the standard features
of the vintage 47fet, retaining its essential hi-SPL input characteristics
and unique instrument applications. The ifet7 "V mode"
captures the sound and features of the vintage 87fet, enabling
it to perform vocal functions with a color favored by many.
Both V/I modes offer improvements that bring clearer high end
and unsurpassed low frequency performance with a sound that
is not at all boxy or band limited. Based on the same mechanical
dimensions and construction as classic 1960s fet mics, the ifet7
looks like a short version of the Soundelux E47. It comes supplied
with an arm for stand mounting similar to the original fet47,
and an optional shock mount fully isolates the ifet7 from the
stand. A wooden box enables appropriate studio storage of the
mic when not in use. |
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| Soundelux
U99 |
 Soundelux
U99
Specifications:
Patterns: sweepable Omni to Cardioid to Figure 8
Frequency Range: 20Hz to 20kHz
Sensitivity: 20mv/Pa
Equivalent Noise: 27dB (unweighted) 17dB ("A" weighted)
Maximum SPL: 130dB for 1% THD @ 1kHz
Impedance: 150 Ohms
Dynamic range: 120dB
Capsule size: 1" diameter
Tube type: EF86
Dimensions: 2.06" x 9" Weight: 1.68lbs.
Power Supply: switchable 115/230v operation Includes 6 pin
XLR cable, AC cable, donut shock mount, and flight case.
Options
include laquered wood box, spyder shock mount and 3 pin XLR
cable
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| Soundelux
U195 |
 Soundelux
U195 lays down 'fat' sound Specifications:
Patterns: cardioid only
Frequency range: 10-20kHz
Sensitivity: 14mV/Pa Equiv.
Noise: 23dB (unweighted) 12dB ("A" weighted)
S/N ratio: 71dB (unweighted) 82dB ("A" weighted)
Max SPL: 125dB @0.5%
Impedance: 150 Ohms
Dynamic range: 115dB
Capsule size: 1"
Dimensions: 2.09" x 7.7" (5.3 x 19.5 cm)
Weight: 1.75lbs.
Power consumption: 0.5mA @48vdc
Power supply: Phantom powered, user provided Includes
lacquered wood box for mic, donut shock mount.
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HOT AUDIO & VIDEO DEALS EVERY DAY
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