Mackie 1202VLZ4 12-channel Compact Mixer

Vendor: Mackie
Description Mackie 1202VLZ4 12-channel Compact Mixer The Mackie 1202VLZ4 is a 12-Channel Compact Mixer that is professionally designed featuring a high-quality Onyx preamps in a compact mixer design that comes with the high-headroom /...
$329.99 $374.99
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Mackie 1202VLZ4 12-channel Compact Mixer

The Mackie 1202VLZ4 is a 12-Channel Compact Mixer that is professionally designed featuring a high-quality Onyx preamps in a compact mixer design that comes with the high-headroom / low-noise performance your professional applications demand.

The Mackie 1202VLZ4 mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for discernible tactile control. It comes with features like a dedicated control room section, it is offering a step up in flexibility and performance that is very well suited for your professional applications.

  • 12-Channel mixer featuring signature high-headroom, low-noise design
  • 4 Boutique-Quality Onyx Microphone Preamps:
    Wide 60 dB gain range
    128.5 dB dynamic range
    +22 dBu line input handling
    Extended frequency response
    Distortion under 0.0007% (20 Hz to 50 kHz)
  • Improved RF rejection, suitable for broadcast applications
  • Phantom power for condenser microphones
  • 12 High-headroom line inputs
  • 3-Band EQ (80 Hz, 2.5 kHz, 12 kHz)
  • 18 dB/octave, 75 Hz low-cut filter on microphone input channels
  • AUX send, level, pan, and PFL solo on each channel
  • Stereo return for connecting FX processor or other stereo source
  • ALT 3/4 stereo bus for added routing flexibility
  • Control room / phones source matrix
  • High-resolution 12-segment stereo meters
  • Sealed rotary controls resist dust and grime
  • Built-like-a-tank rugged steel chassis with powder-coat finish
  • High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
  • Rack-mountable design using a rack ear kit (sold separately)
  • Applications:
  • Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia applications, broadcast, and many more
Noise Main Mix Noise:
Main Mix Knob Down, Channel Gain Knobs Down: -100 dBu
Main Mix Knob @ Unity, Channel Gain Knobs Down: -86.5 dBu (90 dB signal to noise ratio, ref +4 dBu)
Main Mix Knob @ Unity, Channel Gain Knobs @ Unity: -84.5 dBu
(20 Hz to 20 kHz bandwidth, 1/4" main out, channels 1 to 4, gain @ unity, channel EQs flat, all channels assigned to main mix, channels 1 and 3 panned left, 2 and 4 panned right)
Total Harmonic Distortion (THD) Microphone Pre @ Insert: <0.0007%
(1 kHz @ 30 dB gain, 20 Hz to 20 kHz bandwidth)
Crosstalk / Attenuation Main Mix Knob Down: -75 dBu
Channel Alt / Mute Switch Engaged: -85 dBu
Channel Gain Knob Down: -87 dBu
(1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain at unity)
Frequency Response Microphone Input to Main Output (Gain @ Unity):
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHz
Equivalent Input Noise 150 Ohms Termination: -128.5 dBu, 20 Hz to 20 kHz
Microphone input to insert send out, maximum gain
Common Mode Rejection Ratio Better than -70 dB @ 1 kHz
Maximum Level Microphone In: +22 dBu
Tape In: +16 dBu
All Other Inputs: +22 dBu
Main Mix XLR Out: +28 dBu
All Other Outputs: +22 dBu
Impedance Microphone In: 2.5 kOhms
Channel Insert Return: 2.5 kOhms
All Other Inputs: 10 kOhms or greater
Tape Out: 1.1 kOhms
All Other Outputs: 120 Ohms
Equalizer High Shelving: ±15 dB @ 12 kHz
Mid Peaking: ±15 dB @ 2.5 kHz
Low Shelving: ±15 dB @ 80 Hz
Power Consumption 25 W, 100 to 120 VAC, 50 to 60 Hz
Operating Temperature 32 to 104°F (0 to 40°C)
Fuse Rating 100 to 120 V: 500 mA slo blo, 5 x 20 mm
220 to 240 V: 250 mA slo blo, 5 x 20 mm
Dimensions (H x W x D) 10.7 x 11.9 x 3.0" (273.0 x 303.0 x 75.0 mm)
Weight 6.5 lb (3.0 kg)