Martin Audio MLA, Large-format numerically-optimized multi celled array Speaker

Vendor: Martin Audio
Martin Audio MLA, Large-format numerically-optimized multi-celled array Speaker The Martin Audio’s revolutionary award-winning Multi-cellular Loudspeaker Array [MLA] technology is reinventing the way loudspeaker arrays are configured and controlled. With it has come to...
$22,000.00
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Martin Audio MLA, Large-format numerically-optimized multi-celled array Speaker

The Martin Audio’s revolutionary award-winning Multi-cellular Loudspeaker Array [MLA] technology is reinventing the way loudspeaker arrays are configured and controlled. With it has come to an unsurpassed control of sound with pristine fidelity and huge output capability — bringing the FOH engineer and the audience together in a more powerful, involving experience.

The Multi Cellular Revolution

Every so often a new technology emerges that overtakes previous technologies — and in time replaces them. Just as line array took over from point-source clusters over 20 years ago, Martin Audio’s revolutionary award-winning Multi-cellular Loudspeaker Array [MLA] technology is reinventing the way loudspeaker arrays are configured and controlled. With it has come to an unsurpassed control of sound with pristine fidelity and huge output capability — bringing the FOH engineer and the audience together in a more powerful, involving experience.

Advanced Sound Control Technology, that’s easy to use

Some describe it as magic, but in its simplest terms, each MLA array has up to 144 individual acoustic elements [cells], each with its own onboard amplifier and DSP, which can be optimized by software to deliver the sound across the audience to meet the sonic goals required for any space. It remains the only system on the market to allow multiple sonic goals to be prioritized and optimized accordingly. For example, not only can MLA generate an even sound field over the audience, it can contain it as well — significantly reducing the influence of the room. Hard Avoid® areas ─ such as behind and below the array, ceilings, balcony edges, and beyond the venue perimeter ─ can also be programmed in. Vertical coverage can even be fine-tuned electronically in-situ to cope with changing environmental conditions and last-minute changes in rigging height, without having to re-rig. With incredibly easy-to-use and highly accurate predictive software [DISPLAY] doing all the grunt work with the system, the FOH engineer retains full artistic control and can enjoy mixing the show in the full knowledge that the sound created at the mix position will be heard everywhere throughout the audience. Such is the confidence that MLA can bring, that significantly less time is spent setting up the system, and even less time is spent walking the room.

Audio Perfection

MLA’s ultimate accolade is its audio perfection. Pristine fidelity, vocal clarity, sonic impact, and huge output capability brings the FOH engineer and the audience together in a powerful, involving experience. Put simply, MLA is a FOH engineer’s delight. It is incredibly clean and transparent and responsive to the smallest EQ changes. With no large-format compression drivers to harden the sound, it presents the engineer with a neutral canvas whatever the artist or music genre.

Noise Pollution Solution

In reproducing sound for many venues and outdoor festivals, there is often a conundrum: how can audience sound levels be delivered at a sufficiently high level for an immersive and rewarding experience, while at the same time respecting surrounding areas and residents? In the past, sound levels for the audience have often had to be held down in order to safeguard surrounding areas, but this can leave audiences and the FOH engineer unhappy and threaten the ongoing viability of such events. MLA’s unique ability to control noise escape beyond the site perimeter, while maintaining pristine fidelity and high sound pressure levels for the audience, means that FOH engineers don’t have to constantly worry about sound levels. So they can focus on what they do best — mixing — translating to a better audience experience too.

Martin Audio MLA Main Features

  • Numerically optimized, fully integrated, touring sound system
  • Compact size and inherent scalability provide an ideal “one-box” solution across rental markets
  • Cellular array format with built-in amplification, DSP, and digital networking
  • 6 dedicated Class D amplifier channels per enclosure for individual powering and DSP control of individual cells
  • Industry-leading DISPLAY2™ intelligent software interacts with onboard DSP for highly accurate array optimization. Eliminates trial-and-error array preset library approximations
  • “Fly-by-wire” software adjusts vertical coverage electronically to cope with changing environmental conditions and last-minute changes in rigging height
  • Switched-mode power supply with PFC (Power Factor Correction) and global mains voltage operation
  • Three-way all-horn design delivers LF/MF/HF peak SPL’s of 140/139/145dB @ 1m from a single, compact enclosure
  • Fast, integral flying system for suspension of up to 24 enclosures
  • True 90° (-6dB) horizontal constant directivity, mid and high-frequency pattern control. Consistent and usable out to 120° (-10dB)
  • 60Hz–18kHz ± 3dB full-bandwidth frequency response
ACOUSTICAL
TYPE Three-way cellular drive, active array element
FREQUENCY RESPONSE (1) 52Hz-18kHz ± 3dB
MAXIMUM SPL @ 1M
  • LF: 133dB continuous, 139dB peak (3)
  • MF: 134dB continuous, 140dB peak (4)
  • HF: 139dB continuous, 145dB peak (4)
DRIVERS
LF 2 x12” (300mm)/3” (75mm) voice coil, ultra-long excursion,
neodymium magnet drivers, Hybrid® bass horn-loaded
MF 2 x 6.5” (165mm)/2” (50mm) coil,
neodymium magnet drivers, horn loaded
HF 3 x 1” (25mm) exit neodymium magnet
compression drivers, horn loaded
RATED POWER (2)
LF 800W AES, 3200W peak
MF 400W AES, 1600W peak
HF 150W AES, 600W peak
DISPERSION
  • (-6dB) 90º horizontal
  • (-10dB) 120º horizontal
  • 7.5° vertical
CROSSOVER FREQUENCIES
  • 320Hz: 8th-order Linkwitz-Riley
  • 4kHz: Vanishing Point™ FIR filters Audio input
AUDIO INPUTS
CONNECTORS Female XLR input
Male XLR link output
ANALOGUE INPUT IMPEDANCE 20kΩ balanced to ground
MAXIMUM ANALOGUE INPUT LEVEL 6.15Vrms (+18dBu), over-voltage protected
NOMINAL SYSTEM GAIN 28.5dB
AES/EBU IMPEDANCE 110Ω balanced, Receive and transmit termination
NETWORK
CONNECTORS 2x IP68 rated 8-way, quick-release type
PROTOCOL U-NET
AMPLIFIER MODULE
TYPE Six-channel Class D, fixed frequency
PEAK OUTPUT POWER 6000W
AVERAGE EFFICIENCY 75%
COOLING
  • 4 x temperature-controlled internal fans
  • 1 x low-speed internal blower
  • 1 x temperature-controlled external fan
MAXIMUM AMBIENT TEMPERATURE 45°C (113°F) for full output
POWER SUPPLY
TYPE Switch mode, the fixed frequency with PFC
AC INPUT OPERATING RANGE 100 – 240V ~ AC, 50 - 60Hz
POWER FACTOR > 0.95
NOMINAL POWER CONSUMPTION 900W
MAINS CONNECTOR 16A IEC309 (Ceeform) – IP44 rated
GENERAL
ENCLOSURE Vertical trapezoid with 3.75º wall angle,multi-laminate birch, and poplar-ply construction
FINISH Textured black PU coating
PROTECTIVE GRILLE Black HEX perforated steel
FITTINGS
  • Proprietary rigging system
  • Bar handles on each side
  • Protective rubber side-cheeks incorporating skids
  • Wheel-board
  • Transit cover
  • Weather Protection Cowl
IP RATING IP 24
DIMENSIONS (inc. wheel-board) (W) 1136mm x (H) 372mm (376mm) x (D) 675mm (825mm)
(W) 44.7in x (H) 14.6in (14.8in) x (D) 26.5in (32.4in)
WEIGHT (ex. wheel-board) 87.5kg (193lbs)