Mackie 402VLZ4 4-channel Ultra Compact Mixer
Vendor: Mackie
Available
Mackie 402VLZ4 4-channel Ultra Compact Mixer
The Mackie 402VLZ4 is a 4-Channel Ultra-Compact Mixer that is professionally designed featuring a Onyx microphone preamps in an ultra-compact design and is very well suited for professional low-input applications. From every input to every output, the Mackie 402VLZ4 mixer is carefully designed to be capable of providing the highest headroom and lowest noise possible for maximum signal integrity.
The Mackie 402VLZ4 mixer is created strong like a tank with a rugged solid-steel chassis and high-contrast controls for discernible tactile control. It comes with features like instrument level inputs, phantom power, and level metering, the Mackie 402VLZ4 4-Channel Ultra-Compact Mixer is a really good choice for anybody who is big on performance, but light on inputs. The bottom panel of the mixer features comes with a three non-threaded holes that are allowing it to be fitted using an optional microphone stand adapter (sold separately). This is letting the user to support the mixer on a standard microphone stand and adjust its height and level to whatever is suiting the user's preferences.
- 4-Channel mixer featuring high-headroom, low-noise design
- 2 Boutique-Quality Onyx Microphone Preamps:
Wide 60 dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20 Hz to 50 kHz) - Improved RF rejection, suitable for broadcast applications
- Phantom power for condenser microphones
- 4 high-headroom line inputs
- Selectable instrument inputs on first 2 channels; no DI box needed
- 2-band EQ (80 Hz and 12 kHz)
- 18 dB/octave 100 Hz low-cut filter on microphone input channels
- High-resolution 8-segment stereo meters
- Sealed rotary controls resist dust and grime
- Built-like-a-tank rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
- Universal power supply for worldwide use
- Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia applications, broadcast, and many more
Noise | Main Mix Noise: Main Mix Knob Down, Channel Level Knobs Down: -103 dBu Main Mix Knob at Unity, Channel Level Knobs Down: -98 dBu Main Mix Knob at Unity, Channel Level Knobs at Unity: -92 dBu Signal-to-Noise Ratio, ref. +4 dBu 102 dB (20 Hz to 20 kHz bandwidth, 1/4" main out, channels 1-2 gain at unity, channel EQs flat, stereo-pan button in) |
Total Harmonic Distortion (THD) | 20 Hz to 80 kHz Bandwidth: <0.005% 20 Hz to 20 kHz Bandwidth: <0.003% (1 kHz @ 35 dB gain) |
Crosstalk / Attenuation | Main Mix Knob Down: -70 dBu Channel Level Knob Down: -94 dBu (1 kHz relative to +10 dBu, 20 Hz to 20 kHz bandwidth, microphone in, 1/4" main out, gain at unity) |
Frequency Response | Microphone Input to Main Output (Gain at Unity): +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, <10 Hz to >100 kHz |
Equivalent Input Noise | 150 Ohms; Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone Input to Main Output, Maximum Gain |
Common Mode Rejection Ratio | Better than -70 dB at 1 kHz |
Maximum Level | Microphone In: +21 dBu Tape In: +24 dBu All Other Inputs: +22 dBu All Other Outputs: +22 dBu |
Impedance | Microphone In: 2.55 kOhms Instrument Input: 1 MOhms All Other Inputs: 10 kOhms or greater Tape Out: 1 kOhm Phones Out: 60 Ohms All Other Outputs: 120 Ohms |
Equalizer | High Shelving: ±15 dB at 12 kHz Low Shelving: ±15 dB at 80 Hz |
Power Consumption | 8 W, 100 to 120 VAC, 50 to 60 Hz |
Power Supply | External AC Connector: 2-Pin IEC 250 VAC |
Operating Temperature | 32 to 104°F (0 to 40°C) |
Dimensions | 7.3 x 5.8 x 1.6" (186.0 x 147.0 x 41.0 mm) |
Weight | 3.0 lb (1.4 kg) with power supply 2.5 lb (1.1 kg) without power supply |