Yamaha MGP32X 32 Channel Analog Live Sound Mixer

Yamaha MGP32X 32 Channel  Analog Live Sound  Mixer

The MGP32X, Yamaha 32 channel mixer console with DSP Effects from Yamaha is a 32-track analog mixer with digital control and features 24 D-Pre microphone preamps, 32 line inputs, 6 auxiliary sends, and 2 effects send. Its outstanding design can be used for live sound environments, including clubs and houses of worship. Each channel of MGP32X, Yamaha 32 channel mixer has Yamaha's X-pressive 3-band equalizer and 1-Knob compressor, allowing channel-independent frequency and dynamic control. The MGP32X, Yamaha 32 channel mixer has an integrated DSP Hybrid Channel section that includes 3 types of reverb and 16 effects, as well as auto-ducker and auto-leveler functions that allow for hands-off monitoring of sources. The digital portion of the MGP32X, Yamaha 32 channel mixer also allows for iPhone and iPod touch control of a variety of parameters via the free MGP Editor app. You can also playback music from your iTunes catalog via the iOS input USB port, freeing up an analog input on the console. The second USB port of MGP32X, Yamaha 32 channel mixer allows you to record your live performance directly to external USB media, as either a stereo WAV or MP3 file.

MGP32X, Yamaha 32 channel mixer. (Product Highlights)

• 24 D-Pre Mic Preamps with Phantom Power
• 32 Line Inputs, 6 AUX Sends & 2 FX Sends
• iPhone/iPod Control & Connectivity
• Record to USB Storage as WAV or MP3
• X-pressive 3-Band EQ Per Channel
• 1-Knob Compression
• Auto-Ducker, Auto-Leveler
• 3 Types of Reverb, 16 Digital Effects

Digital Heart. Analog Soul

Yamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. In 1987, we also released our first digital mixer, the DMP7, and have subsequently advanced technological innovations in sound quality, reliability, and advanced functionalities with cutting-edge digital technologies.

Drawing from our decades of experience crafting innovative, premium analog gear, we originally developed our new discrete Class-A microphone preamps for professional use in our high-end recording equipment. Utilizing an inverted Darlington circuit design, our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a significant advantage over any other mixer in its class. With Yamaha's proprietary X-pressive - EQ we've managed to capture ultimate analog authenticity by unlocking the mysterious secret behind the expressive sound shaping capabilities of sought-after classic EQ modules.

At the heart of the MGP's compact configuration, we've taken an innovative new approach to the utilization of digital technology in an analog mixer; adding high-resolution effects, iPod/iPhone integration, and the superb functionality of our new Stereo Hybrid Channel to the warmth and musicality of premium analog sound. The MGP Series represents the ultimate balance of the converging technologies that are the heart and soul of Yamaha's extraordinary achievements in professional audio.

• Inputs - 24x Mic level XLRs
  24x Line level 1/4" (6.35 mm) TRS
  4x Stereo line level 1/4" (6.35 mm) TRS
  16x 1/4" (6.35 mm) TRS Inserts
  1x 1/4" (6.35 mm) stereo Return
• Input Sensitivity - For Mono Inputs, Actual Source Impedance 3 kΩ:
  Mic Level @ -60 dB: -80 dBu (0.078 mV), for 50-600 Ω Mics
  Mic Level @ -16 dB: -36 dBu (12.3 mV), for 50-600 Ω Mics
  Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines
  Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω Lines
  
  Stereo Channel Input, Actual Source Impedance 10 kΩ:
  Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines
  Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω Lines
  
  Mono Channel Inserts, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV), for 600 Ω Lines
  
  Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV)
  
  Talkback Input, Actual Source Impedance 10 kΩ: -66 dBu (0.389 mV), for 50-600 Ω Mics
• Nominal Input Level - For Mono Inputs, Actual Source Impedance 3 kΩ:
  Mic Level @ -60 dB: -60 dBu (0.775 mV), for 50-600 Ω Mics
  Mic Level @ -16 dB: 16 dBu (123 mV), for 50-600 Ω Mics
  Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines
  Line Level @ 10 dB: +10 dBu (2.45 V), for 600 Ω Lines
  
  Stereo Channel Input, Actual Source Impedance 10 kΩ:
  Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines
  Line Level @ 10 dB: 10 dBu (2.45 V), for 600 Ω Lines
  
  Mono Channel Inserts, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω Lines
  
  Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω Lines 
  
  Talkback Input, Actual Source Impedance 10 kΩ: -50 dBu (2.45 mV), for 50-600 Ω Mics
  
• Maximum Input Level - For Mono Inputs, Actual Source Impedance 3 kΩ:
  Mic Level @ -60 dB: -40 dBu (7.75 mV), for 50-600 Ω Mics
  Mic Level @ -16 dB: 4 dBu (1.23 V), for 50-600 Ω Mics
  Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines
  Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω Lines
  
  Stereo Channel Input, Actual Source Impedance 10 kΩ:
  Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines
  Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω Lines
  
  Mono Channel Inserts, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω Lines
  
  Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω Lines 
  
  Talkback Input, Actual Source Impedance 10 kΩ: -30 dBu (24.5 mV), for 50-600 Ω Mics
• Outputs - 1x XLR Stereo out (L,R)
  6x XLR auxiliary sends
  24x 1/4" (6.35 mm) Channel insert outputs.
  1x 1/4" (6.35 mm) Monitor out (L,R)
  4x 1/4" (6.35 mm) Group out
  1x 1/8" (3.5 mm) headphones out
  1x 1/4" (6.35 mm) Stereo insert (L,R)
  2x 1/4" (6.35 mm) Matrix outs
  1x XLR Mono out
• Nominal Output Level - Stereo Out (L,R): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines)
  Mono Out: 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines)
  Group Out (1 to 4): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines)
  Aux Send (1 to 6): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines)
  Matrix Out (1,2): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines)
  Mono Channel Insert Out (1 to 16): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines)
  Stereo Channel Insert Out (L,R): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines)
  Monitor Out (L,R): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines)
  Phones Out: 3mW @ 150 Ω (for use with nominal 40 Ω phones)
• Maximum Output Level - Stereo Out (L,R): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines)
  Mono Out: 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines)
  Group Out (1 to 4): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines)
  Aux Send (1 to 6): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines)
  Matrix Out (1,2): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines)
  Mono Channel Insert Out (1 to 16): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines)
  Stereo Channel Insert Out (L,R): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines)
  Monitor Out (L,R): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines)
  Phones Out: 75 mW @ 150 Ω (for use with nominal 40 Ω phones)

General Specification

• Total Harmonic Distortion - 0.02% (20 Hz to 20 kHz, 14 dBu)
• Frequency Response - 20 Hz to 20 kHz, +0.5/-1.0 dB, refer to the nominal output level @ 1 kHz
• Crosstalk - -74 dB @ 1 kHz
• Power Supply - 100 to 240 V, 50/60 Hz
• Power Consumption - 86 W, maximum
• Dimensions (W x H x D) - 40.4 x 6.7 x 22.2" (1027 x 169 x 565 mm)
• Weight - 41.9 lb (19 kg)