DiGiCo SD9T DIGITAL MIXING CONSOLE World-class mixing for your Theatre, without the footprint

Vendor: DiGiCo
DiGiCo SD9T DIGITAL MIXING CONSOLE World-class mixing for your Theatre, without the footprint DiGiCo SD9T: Compact, affordable, extraordinary The compact DiGiCo SD9T is professionally designed capable of delivering the strength of Stealth Digital Processing and...
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DiGiCo SD9T DIGITAL MIXING CONSOLE World-class mixing for your Theatre, without the footprint

DiGiCo SD9T: Compact, affordable, extraordinary

The compact DiGiCo SD9T is professionally designed capable of delivering the strength of Stealth Digital Processing and floating point Super FPGA technology in an astonishingly space saving and affordable package by the time that every seat in the house counts. With the combined power of efficiency and speed of DiGiCo’s renowned workflow to the lightweight, small-footprint construction of a desk that that is fitting every production.

Professionally built for having efficient and familiar operation that comes along with a redesigned workflow for suiting theatrical requirements, the SD9T work surface is putting 24 touch-sensitive, motorised faders at your fingertips plus quick access function buttons within easy reach. A 15-inch, high resolution backlit TFT LCD touchscreen that is providing an ease-of-use and at a glance operation, and dedicated multi-function control knobs and electronic labelling is ensuring the show is always a success, at the same time. Welcome to the SD9T – your introduction to extraordinary high-end performance.

Under The Hood

It boasts a 96 channels at 48kHz/96kHz, the SD9T that is capable of delivering a wealth of functionality. Standard channel processing (inputs and outputs) includes Channel Delay, Single and Multi-Channel Presets, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, Dual insert points, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

Also onboard are 155 Dynamic EQ processors which is possible to be assigned to any of the input or output channels; 155 Multiband Compressors and 155 DiGiTuBes. All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 16 gangable 32-band graphic EQs, 12 stereo effects (selectable from a palette of 33), and 12 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.

The SD9T’s 48 busses are all assignable as groups or auxiliary busses while further configurability comes courtesy of a 12×8 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The SD9T’s vast local I/O section offers eight mic inputs, eight line outs, four mono AES/EBU, one MADI port, and two dedicated D-Rack Ports. As standard, every SD9T is accompanied by a D-Rack, with 32-inputs and eight outputs (extendable to 16). A second D-Rack can be connected for a total of 72 mic inputs.

Users can also choose a factory-fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop, and a DiGiCo SoundGrid module giving instant access to 32 fully integrated low-latency Waves stereo MultiRacks.

  • 96 Input Channels
  • 48 Aux / Sub-Group Busses
  • LR/LCR Master Buss
  • 12 x 8 Full Processing Matrix
  • 155 Dynamic Equalizers
  • 48/96kHz Sample Rate

General Specifications

  • Faders:: 24 x 100mm Touch-sensitive, motorised
  • Screens:: 1 x 15” (38cm) LCD high – resolution touch screen
  • Meters:: 24 x 8-Segment LED bargraph
  • Input Channels:: 96 Input Channels
  • 48 Aux/ Sub-Group Busses
  • Solo Busses: 2 Stereo Busses
  • Matrix: 12 x 8 Matrix (additional to busses above)
  • Control Groups: 12, Selectable for VCA-style, Moving Fader, Mute Group
  • Graphic EQ: 16 x 32-band, Gain +/- 12dB
  • Internal FX: 12 Stereo FX Processors
  • Local I/O: 8 x Mic/Line I/O, 4 x AES/EBU: I/O (Mono)
  • MADI Interface: In / Out
  • Optional Optics
  • MIDI Interface: In / Out / Thru
  • VGA Port: DB-15 Mini-Female (1024 x 768 Resolution)
  • USB Ports 3 x USB 2
  • Light Connection 2 x XLR3 1.2 – 12V
  • Ext Sync: Word Clock, MADI
  • Headphone: TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack
  • GPI: 2 x 1/4” Jack
  • GPO: 2 x 1/4” Jack
  • SD9 Dimensions: 878mm (w) x 785mm (d) x 262mm (h)
  • SD9 Weight: 36Kg (105Kg with optional flightcase)
  • SD9 Flightcase: 1063mm (w) x 1131mm (h) x 472mm (d) (Optional):
  • SD9 Power: 90-264 VAC, 47-63Hz Auto Sensing. 208 watts, 232VA Requirements
  • Redundancy: Internal PSU x 2 (Optional)

Audio Specification

  • Sample Rate: 48kHz or 96kHz
  • Processing Delay: 2ms Typical @ 48k (48 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 24-bit Converter Bit Depth
  • Frequency Response: +/- 0.6dB (20Hz – 20kHz)
  • THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
  • Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
  • Residual Output: <90dBu Typical
  • Noise: (20Hz – 20kHz)
  • Microphone Input: Better Than -126dB: Equivalent Noise
  • Maximum Output Level: +22dBu
  • Maximum Input Level: +22dBu

Processing Channel Specification
Input Channel

  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: >1 Sec (Coarse & Fine Control)
  • DiGiTuBe: Drive 0.01 – 50.0
  • Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-Band) Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser: Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
  • Dynamics 2: On/Off Gate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: >1 Sec (Coarse & Fine control)
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-band) Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
  • Dynamics 2: On/Off Gate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to + 10dB