RME Fireface UFX II 24 Bit / 192 kHz, 60-channel Hi-Performance USB 2.0 Audio Interface

Vendor: RME
RME Fireface UFX II 24 Bit / 192 kHz, 60-channel Hi-Performance USB 2.0 Audio Interface  A total of 60 channels of crystal-clear and transparent audio, at resolutions up to 24-bit/192 kHz is provided...
$2,299.00 $2,499.00
Title

RME Fireface UFX II 24 Bit / 192 kHz, 60-channel Hi-Performance USB 2.0 Audio Interface 

A total of 60 channels of crystal-clear and transparent audio, at resolutions up to 24-bit/192 kHz is provided by the Fireface UFX II from RME is a flexible USB 2.0 audio interface. It also offers four digitally controlled preamps, reference-class AD/DA converters, ultra-low latency operation combined with exceptional driver stability, and is ideal for recording, mixing, and monitoring applications in high-end home studios and commercial audio production facilities.

The Fireface UFX II offers a full range of connectivity options such as analog, AES/EBU, ADAT, and Wordclock I/Os. With support from USB 2.0 the unit also integrates with the company's ARC USB remote controller (available separately). New features include pad-free microphone circuitry, improved AD/DA converters, optimized analog I/Os, and low-impedance phone outputs with plenty of power and volume to drive high- and low-impedance headphones.

The interface can operate in standalone and can be fully configured/set up at the device by using the three rotary encoders and the color display. It comes equipped with TotalMix FX, a real-time mixer driven by two powerful DSP processors, which allows for practically unlimited mixing and routing operations. The software offers 3-band parametric equalizer, low-cut, echo, reverb, compressor, expander, and auto-level for any output, and can completely replace an external mixer by creating multiple latency-free main, monitor, or headphone mixes. TotalMix FX can also be controlled from an iPad via the TotalMix FX for iPad app (available separately).

The Fireface UFX II includes an improved version of DURec (Direct USB Recording), which lets you record all inputs and outputs directly to USB thumb drives or hard drives, without the need for a computer.

What's New with the Fireface UFX II

  • All new AD/DA converters
  • Pad-free microphone circuit design with +18 dBu max input level and 75 dB gain range
  • More memory and faster DSP - doubled reverb times
  • Optimized analog I/Os
  • Improved SNR and THD
  • New low impedance, high-power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any high- or low-impedance headphones
  • Improved DURec USB functionality and compatibility – internal Realtime clock for DURec
  • Can integrate with ARC USB remote control unit (available separately)
  • Reworked power supply and power handling, for reduced power consumption
  • New housing design

Features

  • 30-in/30-out USB 2.0 audio interface with reference-class converters and full 24-bit/192 kHz operation – crystal-clear, transparent audio for high-end home studios and commercial audio production facilities
  • SteadyClock: Jitter-immune, super-stable digital clock – converters operate independently from external clock signals, for a pristine sound quality
  • Four digitally-controlled, high-transparency preamps feed eight A/D converters – every microphone channel uses a double, parallel A/D conversion on two A/D converters at the same time to reach exceptional signal-to-noise values and performance level not available with classic converter design
  • Bright multi-functional color display with full front-panel metering for all 60 channels plus effect bus, and complete control of all key features - directly from the front of the UFX II
  • 2 x high-speed low-jitter MIDI I/Os (32 channels)
  • DURec (Direct USB Recording) integrated digital recorder – record all inputs and outputs directly to USB thumb drives or hard drives with up to 2TB capacity, via the front USB port without the need for a computer
  • TotalMix FX latency-free, real-time mixer allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs – can be fully controlled on an iPad with TotalMix FX for iPad app (available separately)
  • TotalMix FX provides 3-band parametric equalizer, low-cut, echo, reverb, compressor, expander, and auto-level
  • Standalone operation – using the three rotary encoders and the color display the Fireface UFX II can be configured and set up completely at the device
  • Setup Recall – internal memory allows for the permanent storage of six different states of the unit
  • Operates in driver-based USB 2.0 and Class Compliant modes
  • Integrates with RME ARC USB remote controller (available separately)

Connectivity

  • 30 x input / 30 x output channels
  • 12 x analog I/O
  • 60 x 30 matrix router
  • 4 x mic/instrument preamps, digitally-controlled
  • 1 x AES/EBU I/O
  • 2 x ADAT I/O (1 x ADAT I/O, 1 x S/PDIF I/O optical)
  • 1 x Word Clock I/O
  • 2 x MIDI I/O
  • 1 x USB 2.0
  • TotalMix FX
RME FIREFACE UFX II
    • Analog
      A/D, Line Inputs (1 to 8, rear)Resolution:
      24-bit Signal-to-Noise Ratio (SNR): 113 dB RMS unweighted, 116 dBA Frequency Response at 44.1 kHz, -0.1 dB: 5 Hz to 20.8 kHz Frequency Response at 96 kHz, -0.5 dB: 3 Hz to 45.8 kHz Frequency Response at 192 kHz, -1 dB: 2 Hz to 92 kHz THD: < -110 dB, < 0.00032 % THD+N: < -104 dB, < 0.00063 % Channel Separation: > 110 dB Maximum Input Level: +19 dBu Input: 1/4" / 6.3 mm TRS jack, electronically balanced Input Impedance: 8 kOhms unbalanced, 12 kOhms balanced Input sensitivity switchable to Low Gain, +4 dBu Input Level for 0 dBFS at Low Gain: +19 dBu Input Level for 0 dBFS at +4 dBu: +13 dBu Variable Gain: 0 to +12 dB Minimum Level for 0 dBFS: +1 dBu, -1.2 dBV

    • Microphone Inputs (9 to 12, front)
      Input: XLR, electronically balanced
      Input Impedance: 3.4 kOhm
      Signal-to-Noise Ratio (SNR): 115 dB RMS unweighted, 118 dBA
      Gain Range: 75 dB
      Maximum Input Level, Gain 0 dB: +18 dBu
      Maximum Input Level, Gain 75 dB: -57 dBu
      CLIP LED: 0 dBFS
      SIG LED: -60 dBFS

    • Instrument Inputs 9 to 12, front 
      Input: 6.3 mm TS jack, unbalanced
      Input Impedance: 1 MOhm
      Signal-to-Noise Ratio (SNR): 114 dB RMS unweighted, 118 dBA
      Gain Range: 42 dB
      Maximum Input Level, Gain 8 dB: +21 dBu
      Maximum Input Level, Gain 50 dB: -21 dBu

    • D/A, Line Outputs (3 to 8, rear)
      Resolution: 24-bit
      Dynamic Range (DR): 115 dB RMS unweighted, 118 dBA
      Frequency Response at 44.1 kHz, -0.5 dB: 5 Hz to 20.8 kHz
      Frequency Response at 96 kHz, -0.5 dB: 5 Hz to 45 kHz
      Frequency Response at 192 kHz, -1 dB: 5 Hz to 89 kHz
      THD: < -110 dB, < 0.00032 %
      THD+N: < -104 dB, < 0.00063 %
      Channel Separation: > 110 dB
      Maximum Output Level: +19 dBu
      Output: 1/4" / 6.3 mm TRS jack, servo-balanced
      Output Impedance: 75 Ohms unbalanced, 150 Ohms balanced
      Output level switchable Hi Gain, +4 dBu, -10 dBV
      Output Level at 0 dBFS / Hi Gain: +19 dBu
      Output Level at 0 dBFS / +4 dBu: +13 dBu
      Output Level at 0 dBFS / -10 dBV: +2 dBV

    • D/A - Stereo Monitor Output XLR (1 to 2) 

      Output: XLR, balanced
      Output Level Switchable: 24 dBu, Hi Gain, +4 dBu, -10 dBV
      Output Level at 0 dBFS / 24 dBu: +24 dBu
      Output Level at 0 dBFS / Hi Gain: +19 dBu
      Output Level at 0 dBFS / +4 dBu: +13 dBu
      Output Level at 0 dBFS / -10 dBV: +2 dBV

    •  D/A - Stereo Monitor Output Phones (9 to 12)
      Output: 2 x 1/4" / 6.3 mm TRS stereo jacks, unbalanced
      Maximum Output Level at 0 dBFS, High: +19 dBu
      Maximum Output Level at 0 dBFS, Low: +2 dBV
      Output Impedance: 2 Ohms
      Max. Power per Channel at 32 Ohms Load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)

    • Digital 
      Clocks: Internal, ADAT, AES, MADI, word clock
      Low-Jitter Design: < 1 ns in PLL mode, all inputs
      Internal Clock: 800 ps Jitter, Random Spread Spectrum
      Jitter Suppression of External Clocks: > 30 dB (2.4 kHz)
      Effective Clock Jitter Influence on A/D and D/A Conversion: ~0
      PLL ensures zero dropout, even at more than 100 ns jitter
      Digital Bitclock PLL for trouble-free varispeed ADAT operation
      Supported Sample Rates: 28 to 200 kHz

    • Digital Inputs
      AES/EBU

       1 x XLR, transformer-balanced, galvanically isolated, per AES3-1992
      High-sensitivity input stage (< 0.3 V p-p)
      S/PDIF compatible (IEC 60958)
      Accepts consumer and professional formats
      Lock Range: 27 to 200 kHz
      Jitter: < 1 ns (when synced to input signal)
      Jitter Suppression: > 30 dB (2.4 kHz)

    • ADAT Optical
      2 x TOSLINK, format, per Alesis specification
      Standard: 2 x 8 channels 24-bit, up to 48 kHz
      Double Speed (S/MUX): 2 x 4 channels 24-bit / 96 kHz
      Quad Speed (S/MUX4): 2 x 2 channels 24-bit / 192 kHz
      Bitclock PLL ensures perfect synchronization even in varispeed operation
      Lock Range: 31.5 to 50 kHz
      Jitter: < 1 ns (when synced to input signal)

    • S/PDIF Optical (ADAT2)
      1 x optical, according to IEC 60958
      Accepts consumer and professional format
      Lock Range: 27 to 200 kHz
      Jitter: < 1 ns (when synced to input signal)
      Jitter Suppression: > 30 dB (2.4 kHz)

    • Word Clock
      BNC connector
      Internal termination 75 Ohms, switchable
      Automatic Double / Quad Speed detection and internal conversion to Single Speed
      SteadyClock guarantees super low jitter synchronization even in varispeed operation
      Not affected by DC-offsets within the network
      Signal Adaptation Circuit: Signal refresh through auto-center and hysteresis
      Overvoltage protection
      Level Range: 1.0 to 5.6 V p-p
      Lock Range: 27 to 200 kHz
      Jitter: < 1 ns (when synced to input signal)
      Jitter Suppression: > 30 dB (2.4 kHz)

    • Digital Outputs
      AES/EBU

       XLR, transformer-balanced, galvanically isolated, per AES3-1992
      Output level Professional 4.5 V p-p, Consumer 2.6 V p-p
      Format Professional according to AES3-1992 Amendment 4
      Format Consumer (S/PDIF), per IEC 60958
      Single Wire mode, sample rate 28 to 200 kHz

    • ADAT
      2 x TOSLINK
      Standard: 2 x 8 channels 24-bit, up to 48 kHz
      Double Speed (S/MUX): 2 x 4 channels 24-bit / 96 kHz
      Quad Speed (S/MUX4): 2 x 2 channels 24-bit / 192 kHz

    • S/PDIF Optical (ADAT2)

      Format Consumer (S/PDIF), per IEC 60958
      Sample Rate: 28 to 200 kHz

    • Word Clock

      BNC connector
      Maximum Output Voltage: 5 V p-p
      Output Voltage: 4.0 V p-p (at 75 Ohms termination)
      Output Impedance: 10 Ohms
      Frequency Range: 27 to 200 kHz

    • MIDI
      2 x MIDI I/O via 5-pin DIN jacks
      Galvanically-isolated by optocoupled input
      Hi-Speed Mode: Jitter and response time typically below 1 ms
      Separate 128-byte FIFOs for input and output

    • System Requirements
      Mac
      Intel Mac OS X 10.6 or higher

       

      Windows
      Windows 7 or higher

      CPU
      Computer with Intel Core i3 CPU or higher

      Ports
      1 x USB 2.0 or USB 3.0 port

    • Power
      Power Supply: internal switching PSU, 100-240 VAC, 36 W
      Idle Power Consumption: 19 W
      Typical Power Consumption: 22 to 25 W

    • Environment
      Temperature Range: 41° to 122° F / +5° to +50° C
      Relative Humidity: < 75%, non-condensing

    • Dimensions (W x H x D)
      19 x 1.73 x 8.5 / 483 x 44 x 210 mm, (including rack ears)
      17.3 x 1.73 x 8.3" / 440 x 44 x 210 mm, (without rack ears)
      Total Depth: 9.4" / 240 mm

    • Weight
      6.6 lb / 3 kg


Packaging Info

  • Package Weight:12.1 lb
  • Box Dimensions (LxWxH): 22.1 x 12.5 x 4.7"