Neumann KMS 105, Supercardioid handheld with K 105 capsule

Vendor: Neumann
Descriptions Neumann KMS 105, Supercardioid handheld with K 105 capsule, KMS Pouch and SG 105 The nickel color of Neumann KMS 105 microphone has been specifically upgraded to optimally and clearly transmit the...
$699.00
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Neumann KMS 105, Supercardioid handheld with K 105 capsule, KMS Pouch and SG 105

The nickel color of Neumann KMS 105 microphone has been specifically upgraded to optimally and clearly transmit the human voice within the demanding conditions present on a live stage. The Neumann KMS 105 also has a high acoustic resolution and smooth frequency response of the microphone to ensure that the musician has control of their performance at all times. The Neumann KMS 105 microphone is also best and ideal for use with in-ear monitoring systems due to its low self noise and coloration-free crosstalk behavior, while the supercardioid characteristics of the capsule is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. 

STUDIO QUALITY FOR STAGE VOCALS

The KMS 105 brings studio sound quality to the stage. Unlike usual stage microphones, which use dynamic capsules, the KMS 105 is equipped with a true condenser microphone capsule offering the superior clarity that made Neumann studio microphones famous all over the world. At the same time, the KMS 105 possesses the ruggedness required of a stage mic, thus refuting the myth that condenser microphones must be “fragile”. The KMS 105 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent supercardioid pattern ensures high gain before feedback. The KMS 105 has a much smoother frequency response than dynamic microphones and an airy top-end. Compared to dynamic microphones, the Neumann KMS 105 has a vastly superior transient response resulting in a more immediate, more emotional vocal sound. In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance.

As a stage microphone, the KMS 105 is optimized for close miking; a fixed low cut filter compensates for the proximity effect and ensures clear bass, even if the singer’s lips touch the microphone. The headgrille is made of hardened steel and features a carefully designed multi-level pop filter made of wire gauze. Despite its effectiveness, this acoustic filter does not cause any sibilance problems or compromise the capsule’s directivity. The head amplifier is protected by a thick-walled housing. Its transformerless output minimizes electromagnetic interference, such as hum. Because of its low output impedance of only 50 ohms, the KMS 105 can drive very long cable runs of up to 300 m (1000 ft) without transmission losses.

Neumann KMS 105 Main Features

  • Tight supercardioid pattern without off-axis coloration
  • Unaffected by extreme sound pressure levels
  • Rugged construction
  • Feedback resistant
  • Built-in pop screen
  • Very low handling noise
  • Supercardioid pattern with excellent feedback rejection
  • Studio quality condenser capsule
  • Transparent sound with a gentle treble lift
  • Highly effective, foam-free pop filter
Acoustical operating principle Pressure gradient transducer
Directional Pattern Supercardioid
Frequency Range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 4.5 mV/Pa ± 1 dB equ. -47 dBV
Rated Impedance 50 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR 1 28 dB
Equivalent noise level, A-weighted 2 18 dB-A
Maximum SPL for THD 0.5% 3 150 dB
Signal-to-noise ratio, CCIR (re. 94 dB SPL) 4 66 dB
Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 5 76 dB
Maximum output voltage 12 dBu
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 3.5 mA
Matching connector XLR 3 F
Weight approx. 300 g
Diameter 48 mm
Length 180 mm