ALLEN HEATH ZED24 PROFESSIONAL ANALOG MIXER

ALLEN HEATH ZED24 PROFESSIONAL ANALOG MIXER

ZED-24

ALLEN HEATH ZED24 a mixer at this level, this one has an incredibly advance feature-set, it has configuratble USB audio in/out making the capture of stereo recordings, playback and effects much easier, aside from that it also has 23 independent sources to the mix, 4 aux sends, 10 independent outputs, some very advanced monitoring facilities and a unique dual stereo input capability. Most of all the truth, ALLEN HEATH ZED24 is a mixer that makes you think it would cost so much more, but it is not, while it is so packed full of great features.

USB AUDIO FLEXIBILITY

Getting audio from and to a computer has never been to easy, as in live sound and music production it is very common nowadays. ALLEN HEATH ZED24 is crafted with the implementation of getting audio to and from computer, are now super-easy and it is super-flexible too! The old ways are no longer, as in this ALLEN HEATH ZED24 you don’t need to fiddle around the back of your PC to get to he soundcard inputs, just only to find the levels are all wrong and noisy. Now, just plug in a USB lead to your ALLEN HEATH ZED24, and on your computer just select the USB routing on the mixer and the device and that’s all it takes! Capable also of CD quality audio from and to your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations.

SEND OPTIONS

1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS

1) To Stereo 3 channel

MUSIQ

ALLEN HEATH ZED24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.

DUOPRE

ALLEN HEATH ZED18 is crafted with DuoPre pre-amps, based on the proven and tested pre-amps from the hugely and known successful PA series, which use a two-stage design, wherein the amount of gain in each stage can be carefully controlled. It has a better control of signal level, during amplifying signal from the XLR input, the gain range is huge – 69dB of range to be exact – and around the gain control can be very evenly distributed. Unwanted noise can be kept to minimum because most of the gain comes from the first stage. It also possible to have a great advantage of less noise when using the line input and also matching to a higher input impedance, the reasons is the line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket.

• 16 mono channels
• Neutrik mic XLR
• Neutrik 1/4 inch jacks
• Channel insert
• Super wide gain ‘DuoPre’ mic line input
• 3 band EQ with MusiQ
• 4 auxes
• Illuminated mute
• Sound image pan
• Illuminated PFL & peak warning indicator
•  ALPS 100mm faders
• 4 stereo channels with 2-band EQ and inputs for extra sources
• Stereo returns & playback
• All inputs with level control
• 12 bar meters
• Mono/stereo function on auxes 1&2
• Monitor output section
• Alt stereo output source
• Configurable USB stereo audio in/out
• Power Consumption 40 W Maximum
• Power Requirements 100 to 240 VAC, 47 to 63 Hz
• Dimensions (W x H x D) 25.4 x 3.9 x 18.3" / 64.5 x 9.8 x 46.5 cm
• Weight 23.1 lb / 10.5 kg