Mackie 2404VLZ4 24-channel 4-bus FX Mixer with USB
Vendor: Mackie
Available
Mackie 2404VLZ4 24-channel 4-bus FX Mixer with USB
The Mackie 2404VLZ4 is a 24-Channel 4-Bus FX Mixer that comes with USB that came from the VLZ4 4-Bus Series featuring an Onyx microphone preamps in a high-headroom / low-noise 4-bus design that comes with a feature set which is suitable for live sound. The mixer comes equipped with a dual -bit RMFX+ effect processors, each with 24 effects with the included tap delay. It also comes with the included compression on dedicated channels and subgroups that are allowing a simple, sweet dynamic control.
In addition, both of the FX processors are featuring a tap delay and the delays is possible to be easily synchronized with the song with just a tap of a finger. The processed signal is possible to be send directly to the mains and monitors that came from the effects section or re-routed to the 2 stereo channels for bringing them through the EQ and AUX section, which utilize the 60mm fader for drawing them into the mix.
The 24-channel, 4-bus FX mixer comes equipped with 8 single-knob compressors in order to stop the dynamic signals from poking out of the mix. There are 4 compressors that can be found on the last 4 microphone inputs so that critical signals (such as vocals, snare drum, guitar or keyboards) is possible to be addressed. Additionally, there are single-knob compressors on each of the 4 subgroups so that grouped signals (such as a drum set or a choir of vocalists) is possible to be blended together for paramount smoothness.
This mixer also comes featuring a 4 x 2 USB recording and playback function. This means that up to 4 signals is possible to be recorded at the same time and a stereo mix returned to the mixer for playback. Its built is like as tough of a tank because it is capable of delivering years of reliable use under strenuous conditions. The VLZ4 4-Bus Series offers a compact FX mixer solution in a design that’s flexible, rugged, and professional.
- 4-bus mixer featuring high-headroom, low-noise design
- Boutique-quality Onyx microphone preamps
Wide 60 dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20 Hz to 50 kHz) - Improved RF rejection, suitable for broadcast applications
- Dedicated inline channel compression for critical inputs
- High-headroom line inputs with dedicated inserts
- 18 dB/octave 100 Hz low-cut filter on microphone input channels
- Level, pan, solo, and overload / mute LEDs on each channel
- Four subgroups featuring dedicated inline compressors for total dynamic control
- Six AUX sends with inserts, pre / post fader, and internal/external FX send options
- Two stereo returns and four group outs with inserts
- Dual 32-bit RMFX+ processors featuring 24 gig-ready reverbs, choruses, and tap delay for live applications
- Integrated 4x2 24-bit USB interface
Stream subgroups or master L / R to your PC or Mac for recording
Use your favorite plug-in live via AUXES 5 / 6
Convenient stereo return to mains for music playback or return to channel to implement EQ, AUXES, and more - Sealed rotary controls resist dust and grime
- Built-like-a-tank rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
- Universal power supply for worldwide use
- Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multi-track studio and field recording, video post-production, multimedia applications, broadcast, and many more
Noise | Main Mix Noise: Main Mix Fader at Unity, Channel Faders Down: -87 dBu (-91 dB signal to noise ratio, ref +4 dBu) Main Mix Fader at Unity, Channel Faders at Unity: -81.5 dBu (20 Hz to 20 kHz bandwidth, 1/4" main out, channel gains at unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right) |
Total Harmonic Distortion (THD) | Microphone In to Insert Send: <0.001% Microphone In to Main Out: <0.005% (1 kHz at 15 dB gain, 20 Hz to 20 kHz bandwidth) |
Crosstalk / Attenuation | Channel Mute Switch Engaged: -90 dBu Channel Fader Down: -88 dBu (1 kHz relative to +10 dBu, 20 Hz to 20 kHz bandwidth, microphone in, 1/4" main out, gain at unity) |
Frequency Response | Microphone input to main output (gain at unity) +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, <10 Hz to >100 kHz |
Equivalent Input Noise | 150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone input to insert send out, maximum gain |
Common Mode Rejection Ratio | Better than -70 dB at 1 kHz |
Maximum Level | Microphone In: +21 dBu All Other Inputs: +21 dBu Main Mix XLR Out: +27 dBu All Other Outputs: +21 dBu |
Impedance | Microphone In: 2.7 kΩ Channel Insert Return: 2.5 kΩ All Other Inputs: 10 kΩ or greater Tape Out: <10 Ω All Other Outputs: 120 Ω |
Equalizer | 3-Band EQ (Mono Channels): High Shelving: ±15 dB at 12 kHz Mid Peaking: ±15 dB sweep 100 Hz to 8 kHz Low Shelving: ±15 dB at 80 Hz Low Cut Filter: 18 dB/octave, -3 dB at 100 Hz 4-Band EQ (Stereo Channels): High Shelving: ±15 dB at 12 kHz Hi Mid Peaking: ±15 dB at 2.5 kHz Low Mid Peaking: ±15 dB at 400 Hz Low Shelving: ±15 dB at 80 Hz |
USB | Format: USB 1.1 I / O: Stereo Input, 4-Channel Output A / D / A: 24 bit, 44.1 kHz / 48 kHz |
Power Consumption | 55 W, 100 to 120 VAC, 50 to 60 Hz |
Operating Temperature | 32 to 104°F (0 to 40°C) |
Dimensions | Height: Front: 1.8" (46.3 mm) Rear: 6" (153 mm) W x D: 29.4 x19.1" (748.0 x 486.0 mm) |
Weight | 31.0 lb (14.1 kg) |