SD11B DIGITAL MIXING CONSOLE The power-packed table top broadcast console

Vendor: DiGiCo
DiGiCo SD11B DIGITAL MIXING CONSOLE The power-packed table top broadcast console DiGiCo SD11B : Bigger on the inside.... Harnessing the firepower of seventh generation FPGA technology to the world’s most challenging and fast-paced broadcast...
$0.00
Title

DiGiCo SD11B DIGITAL MIXING CONSOLE The power-packed table top broadcast console

DiGiCo SD11B : Bigger on the inside....

Harnessing the firepower of seventh generation FPGA technology to the world’s most challenging and fast-paced broadcast environments, the DiGiCo SD11B is professionally designed packing the unprecedented processing firepower into a 19-inch rack mount or table top format.

Created small enough for carrying on the road or squeeze into the tightest of studio environments, the SD11B is made as remarkable for its full feature set as it is for its diminutive footprint. It comes along with its steel chassis and polycarbonate-overlaid aluminium worksurface that envelopes the trademark 15-inch TFT LCD touch screen and 12 touch-sensitive moving faders, the SD11B is made as the very epitome of flexibility and strength.

Under The Hood

The SD11B is boasting 80 Channels at 48kHz or 96kHz, that comes along with the ability for creating the multi channels for 5.1 or more complex input configurations. Standard channel processing across both inputs and outputs comes including Channel Delay, Single and Multi-Channel Presets, Hi- and Lo-pass filters @ 24dB/octave, six-band parametric EQ that comes along with band curve selection, Dual insert points, DiGiCo’s DYN 1 (Compressor, De-esser or Multi Band Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console is also made capable to benefit from 118 powerful assignable Dynamic EQ processors, that works on each of the four standard parametric bands, plus there are also 118 Multiband Compressors and 118 DiGiTubes; regardless of how the console is set up, you won’t lose any resources as all channels deliver the same pristine signal path and feature set.

The master section incorporates 12 gangable 32 band graphic EQs, 8 stereo effects, and eight control groups (VCAs); using snapshots, you can  switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even mid-show.

The console’s 24 busses are assignable as mono/stereo groups or auxiliaries, and a 12×8 output matrix, dual solo busses for PFL and on-air soloing in mono, stereo LCRS and 5.1; and an LR/LCR/LCRS/5.1 Master buss are available for even deeper configurability. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The SD11B sports a mighty local I/O section, including 16 mic/line inputs, eight line outs, two mono AES/EBU, one MADI port, and one dedicated D-Rack port. The console connects seamlessly with the DiGiCo 32 input, 8-output (expandable to 16) remote I/O D-Rack, while a factory-fit Optocore option connects to all DiGiCo racks and consoles in a redundant loop.

Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting the optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

  • 80 Input Channels
  • 24 Aux / Sub-Group Busses
  • LR/LCR/LCRS/5.1 Master Buss
  • 12 x 8 Full Processing Matrix
  • 118 Dynamic Equalizers
  • 48/96kHz Sample Rate
  • Faders 12 x 100mm touch-sensitive, motorised
  • Screens 1 x 15” (38cm) LCD high – resolution touch screen
  • Meters 12 x 8-segment LED bargraph
  • Input Channels 80
  • Busses 24 + LR/LCR/LCRS/5.1 Master buss
  • Solo busses 2 stereo busses
  • Matrix 12 x 8 matrix (additional to busses above)
  • Control Groups 8, selectable for VCA-style, Moving fader, Mute Group
  • Graphic Eq 12 x 32-band, Gain +/- 12dB
  • Internal FX 8 Stereo FX processors
  • Local I/O 16 x mic/line on, 8 Line out, 2 x AES/EBU I/O
  • MADI interface 2 x 75 ohm BNC connectivity
  • D-Rack interface 1 x RJ45 shielded connectivity
  • MIDI interface In / Out / Through
  • VGA port DB-15 mini-female (1024 x 768 resolution)
  • USB ports 3 x  USB2
  • Light connection 1 x  XLR3 1.2 – 12V
  • Ext Sync Word clock, MADI
  • Headphone TRS unbalanced / 8-600 ohms 1/4 inch Jack
  • GPI 2 x 1/4 inch Jack
  • GPO 2 x 1/4 inch Jack

Physical

  • SD11 Dimensions 483mm/19inch (w) x 577mm/22.7inch (d) x 232mm/9.1inch (h)
  • SD11 Weight 24Kg
  • D-Rack 412mm/16.22inch (w) x 312mm/12.3inch (d) x 179mm/7inch (h)
  • D-Rack Weight 7.4Kg (16lbs)

Audio Specification

  • Sample Rate: 48kHz  or 96kHz
  • Processing Delay: 2ms Typical @ 48k (80 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 24-bit Converter Bit Depth
  • Frequency Response: +/- 0.6dB (20Hz – 20kHz)
  • THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
  • Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
  • Residual Output: <90dBu Typical
  • Noise: (20Hz – 20kHz)
  • Microphone Input: Better Than -126dB: Equivalent Noise
  • Maximum Output Level: +22dBu
  • Maximum Input Level: +22dBu

Processing Channel Specification
Input Channel

  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: >1 Sec (Coarse & Fine Control)
  • DiGiTuBe: Drive 0.01 – 50.0
  • Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-Band) Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser: Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: >1 Sec (Coarse & Fine control)
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band Parametric or Dynamic
    : Parametric Only
    (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-band) Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser: Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to + 10dB