Yamaha MGP24X 24 input Analog Desk Mixer W/ USB

Vendor: Yamaha
Yamaha MGP24X 24 input Analog Desk Mixer W/ USB The MGP24X, 24 Channel Yamaha Mixing Console with DSP Effects from Yamaha is a 24-track analog mixer with digital control and features 16 D-Pre microphone preamps, 24 line...
$1,249.99 $1,770.00
Title

Yamaha MGP24X 24 input Analog Desk Mixer W/ USB

The MGP24X, 24 Channel Yamaha Mixing Console with DSP Effects from Yamaha is a 24-track analog mixer with digital control and features 16 D-Pre microphone preamps, 24 line inputs, 6 auxiliary inputs, and 2 effects send. It is unique and powerful designed for use in live sound environments, including clubs and houses of worship.

Each channel of MGP24X, 24 Channel Yamaha has an X-pressive 3-band equalizer and 1-Knob compressor, allowing channel-independent frequency and dynamic control. The MGP24X, 24 Channel Yamaha has an integrated DSP Hybrid Channel section that includes 3 types of reverb and 16 effects, as well as auto-ducker and auto-leveler functions that allow for hands-off monitoring of sources. The digital portion of the MGP24X, 24 Channel Yamaha also allows for iPhone and iPod touch control of a variety of parameters via the free MGP Editor app. You can also playback music from your iTunes catalog via the iOS input USB port, freeing up an analog input on the console. A second USB port allows you to record your live performance directly to external USB media, as either a stereo WAV or MP3 file.

The MGP24X, 24 Channel Yamaha special features

  • 16 Mic Inputs with 48V Phantom Power and HPF per Channel
  • 24 Line Inputs (16 mono and 4 stereos)
  • 6 AUX Sends + 2 FX Sends
  • 4 GROUP Buses + ST Bus
  • 2 Matrix out
  • 1 Mono out

Digital Heart. Analog Soul.

Yamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. In 1987, we also released our first digital mixer, the DMP7, and have subsequently advanced technological innovations in sound quality, reliability, and advanced functionalities with cutting-edge digital technologies.

Drawing from our decades of experience crafting innovative, premium analog gear, we originally developed our new discrete Class-A microphone preamps for professional use in our high-end recording equipment. Utilizing an inverted Darlington circuit design, our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a significant advantage over any other mixer in its class. With Yamaha's proprietary X-pressive EQ we've managed to capture ultimate analog authenticity by unlocking the mysterious secret behind the expressive sound shaping capabilities of sought-after classic EQ modules.

At the heart of the MGP's compact configuration, we've taken an innovative new approach to the utilization of digital technology in an analog mixer; adding high-resolution effects, iPod/iPhone integration, and the superb functionality of our new Stereo Hybrid Channel to the warmth and musicality of premium analog sound. The MGP Series represents the ultimate balance of the converging technologies that are the heart and soul of Yamaha's extraordinary achievements in professional audio.

  • Inputs - 16x Mic level XLRs
    16x Line level 1/4" (6.35 mm) TRS
    4x Stereo line level 1/4" (6.35 mm) TRS
    16x 1/4" (6.35 mm) TRS Inserts
    1x 1/4" (6.35 mm) stereo Return
  • Input Sensitivity - For Mono Inputs, Actual Source Impedance 3 kΩ:
    Mic Level @ -60 dB: -80 dBu (0.078 mV), for 50-600 Ω Mics
    Mic Level @ -16 dB: -36 dBu (12.3 mV), for 50-600 Ω Mics
    Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines
    Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω Lines

    Stereo Channel Input, Actual Source Impedance 10 kΩ:
    Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines
    Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω Lines

    Mono Channel Inserts, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV), for 600 Ω Lines

    Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV)

    Talkback Input, Actual Source Impedance 10 kΩ: -66 dBu (0.389 mV), for 50-600 Ω Mics
  • Nominal Input Level - For Mono Inputs, Actual Source Impedance 3 kΩ:
    Mic Level @ -60 dB: -60 dBu (0.775 mV), for 50-600 Ω Mics
    Mic Level @ -16 dB: 16 dBu (123 mV), for 50-600 Ω Mics
    Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines
    Line Level @ 10 dB: +10 dBu (2.45 V), for 600 Ω Lines

    Stereo Channel Input, Actual Source Impedance 10 kΩ:
    Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines
    Line Level @ 10 dB: 10 dBu (2.45 V), for 600 Ω Lines

    Mono Channel Inserts, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω Lines

    Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω Lines 

    Talkback Input, Actual Source Impedance 10 kΩ: -50 dBu (2.45 mV), for 50-600 Ω Mics
  • Maximum Input Level - For Mono Inputs, Actual Source Impedance 3 kΩ:
    Mic Level @ -60 dB: -40 dBu (7.75 mV), for 50-600 Ω Mics
    Mic Level @ -16 dB: 4 dBu (1.23 V), for 50-600 Ω Mics
    Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines
    Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω Lines

    Stereo Channel Input, Actual Source Impedance 10 kΩ:
    Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines
    Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω Lines

    Mono Channel Inserts, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω Lines

    Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω Lines 

    Talkback Input, Actual Source Impedance 10 kΩ: -30 dBu (24.5 mV), for 50-600 Ω Mics
  • Outputs - 1x XLR Stereo out (L,R)
    6x XLR auxiliary sends
    16x 1/4" (6.35 mm) Channel insert outputs
    1x 1/4" (6.35 mm) Monitor out (L,R)
    4x 1/4" (6.35 mm) Group out
    1x 1/8" (3.5 mm) headphones out
    1x 1/4" (6.35 mm) Stereo insert (L,R)
    2x 1/4" (6.35 mm) Matrix outs
    1x XLR Mono out
  • Nominal Output Level - Stereo Out (L,R): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines)
    Mono Out: 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines)
    Group Out (1 to 4): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines)
    Aux Send (1 to 6): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines)
    Matrix Out (1,2): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines)
    Mono Channel Insert Out (1 to 16): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines)
    Stereo Channel Insert Out (L,R): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines)
    Monitor Out (L,R): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines)
    Phones Out: 3mW @ 150 Ω (for use with nominal 40 Ω phones)
  • Maximum Output Level - Stereo Out (L,R): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines)
    Mono Out: 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines)
    Group Out (1 to 4): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines)
    Aux Send (1 to 6): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines)
    Matrix Out (1,2): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines)
    Mono Channel Insert Out (1 to 16): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines)
    Stereo Channel Insert Out (L,R): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines)
    Monitor Out (L,R): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines)
    Phones Out: 75 mW @ 150 Ω (for use with nominal 40 Ω phones)

General Specification

  • Total Harmonic Distortion - 0.02% (20 Hz to 20 kHz, 14 dBu)
  • Frequency Response - 20 Hz to 20 kHz, +0.5/-1.0 dB, refer to the nominal output level @ 1 kHz
  • Crosstalk - -74 dB @ 1 kHz
  • Power Supply - 100 to 240 V, 50/60 Hz
  • Power Consumption - 76 W, maximum
  • Dimensions (W x H x D) - 32.2 x 6.7 x 22.2" (819 x 169 x 565 mm)
  • Weight - 34.2 lb (15.5 kg)