Mackie 2404VLZ4 24-channel 4-bus FX Mixer with USB

Vendor: Mackie
Description Mackie 2404VLZ4 24-channel 4-bus FX Mixer with USB The Mackie 2404VLZ4 is a 24-Channel 4-Bus FX Mixer that comes with USB that came from the VLZ4 4-Bus Series featuring an Onyx microphone preamps in a high-headroom /...
$1,349.99 $1,624.99
Title

Mackie 2404VLZ4 24-channel 4-bus FX Mixer with USB

The Mackie 2404VLZ4 is a 24-Channel 4-Bus FX Mixer that comes with USB that came from the VLZ4 4-Bus Series featuring an Onyx microphone preamps in a high-headroom / low-noise 4-bus design that comes with a feature set which is suitable for live sound. The mixer comes equipped with a dual -bit RMFX+ effect processors, each with 24 effects with the included tap delay. It also comes with the included compression on dedicated channels and subgroups that are allowing a simple, sweet dynamic control.

In addition, both of the FX processors are featuring a tap delay and the delays is possible to be easily synchronized with the song with just a tap of a finger. The processed signal is possible to be send directly to the mains and monitors that came from the effects section or re-routed to the 2 stereo channels for bringing them through the EQ and AUX section, which utilize the 60mm fader for drawing them into the mix.

The 24-channel, 4-bus FX mixer comes equipped with 8 single-knob compressors in order to stop the dynamic signals from poking out of the mix. There are 4 compressors that can be found on the last 4 microphone inputs so that critical signals (such as vocals, snare drum, guitar or keyboards) is possible to be addressed. Additionally, there are single-knob compressors on each of the 4 subgroups so that grouped signals (such as a drum set or a choir of vocalists) is possible to be blended together for paramount smoothness.

This mixer also comes featuring a 4 x 2 USB recording and playback function. This means that up to 4 signals is possible to be recorded at the same time and a stereo mix returned to the mixer for playback. Its built is like as tough of a tank because it is capable of delivering years of reliable use under strenuous conditions. The VLZ4 4-Bus Series offers a compact FX mixer solution in a design that’s flexible, rugged, and professional.

  • 4-bus mixer featuring high-headroom, low-noise design
  • Boutique-quality Onyx microphone preamps
    Wide 60 dB gain range
    128.5 dB dynamic range
    +22 dBu line input handling
    Extended frequency response
    Distortion under 0.0007% (20 Hz to 50 kHz)
  • Improved RF rejection, suitable for broadcast applications
  • Dedicated inline channel compression for critical inputs
  • High-headroom line inputs with dedicated inserts
  • 18 dB/octave 100 Hz low-cut filter on microphone input channels
  • Level, pan, solo, and overload / mute LEDs on each channel
  • Four subgroups featuring dedicated inline compressors for total dynamic control
  • Six AUX sends with inserts, pre / post fader, and internal/external FX send options
  • Two stereo returns and four group outs with inserts
  • Dual 32-bit RMFX+ processors featuring 24 gig-ready reverbs, choruses, and tap delay for live applications
  • Integrated 4x2 24-bit USB interface
    Stream subgroups or master L / R to your PC or Mac for recording
    Use your favorite plug-in live via AUXES 5 / 6
    Convenient stereo return to mains for music playback or return to channel to implement EQ, AUXES, and more
  • Sealed rotary controls resist dust and grime
  • Built-like-a-tank rugged steel chassis with powder-coat finish
  • High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
  • Universal power supply for worldwide use
  • Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multi-track studio and field recording, video post-production, multimedia applications, broadcast, and many more
Noise Main Mix Noise:
Main Mix Fader at Unity, Channel Faders Down: -87 dBu (-91 dB signal to noise ratio, ref +4 dBu)
Main Mix Fader at Unity, Channel Faders at Unity: -81.5 dBu
(20 Hz to 20 kHz bandwidth, 1/4" main out, channel gains at unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right)
Total Harmonic Distortion (THD) Microphone In to Insert Send: <0.001%
Microphone In to Main Out: <0.005%
(1 kHz at 15 dB gain, 20 Hz to 20 kHz bandwidth)
Crosstalk / Attenuation Channel Mute Switch Engaged: -90 dBu
Channel Fader Down: -88 dBu
(1 kHz relative to +10 dBu, 20 Hz to 20 kHz bandwidth, microphone in, 1/4" main out, gain at unity)
Frequency Response Microphone input to main output (gain at unity)
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHz
Equivalent Input Noise 150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz
Microphone input to insert send out, maximum gain
Common Mode Rejection Ratio Better than -70 dB at 1 kHz
Maximum Level Microphone In: +21 dBu
All Other Inputs: +21 dBu
Main Mix XLR Out: +27 dBu
All Other Outputs: +21 dBu
Impedance Microphone In: 2.7 kΩ
Channel Insert Return: 2.5 kΩ
All Other Inputs: 10 kΩ or greater
Tape Out: <10 Ω
All Other Outputs: 120 Ω
Equalizer 3-Band EQ (Mono Channels):
High Shelving: ±15 dB at 12 kHz
Mid Peaking: ±15 dB sweep 100 Hz to 8 kHz
Low Shelving: ±15 dB at 80 Hz
Low Cut Filter: 18 dB/octave, -3 dB at 100 Hz

4-Band EQ (Stereo Channels):
High Shelving: ±15 dB at 12 kHz
Hi Mid Peaking: ±15 dB at 2.5 kHz
Low Mid Peaking: ±15 dB at 400 Hz
Low Shelving: ±15 dB at 80 Hz
USB Format: USB 1.1
I / O: Stereo Input, 4-Channel Output
A / D / A: 24 bit, 44.1 kHz / 48 kHz
Power Consumption 55 W, 100 to 120 VAC, 50 to 60 Hz
Operating Temperature 32 to 104°F (0 to 40°C)
Dimensions Height:
Front: 1.8" (46.3 mm)
Rear: 6" (153 mm)

W x D: 29.4 x19.1" (748.0 x 486.0 mm)
Weight 31.0 lb (14.1 kg)