Radial MIX 2:1 2 channel stereo to mono mixer, passive, TRS & XLR inputs, XLR out

Radial MIX 2:1 2 channel stereo to mono mixer, passive, TRS & XLR inputs, XLR out

The Radial MIX 2:1 is a simple yet highly useful mixer that is designed passively sums two audio channels down to one. This is enabling the user to easily sum the stereo outputs of a portable playback, recording interface, or console device down to mono, or to mix any two signals together and balance their relative input levels.

The Radial MIX 2:1 is using a completely passive circuit that is requiring no power to operate and is allowing the user to sum two signals together with minimal coloration or distortion. Either signal can be attenuated for creating the desired blend between the two, or the level controls can be bypassed together, each summing input equally. The Radial MIX 2:1 automatically compensates for the 6dB in voltage gain when summing two in-phase signals together, so the user don't overload the next device in your signal chain. Ground lift switches are provided for removing the buzz and hum from ground loops, and the Radial MIX 2:1 is housed in a rugged steel chassis for handling the use in the studio and on the road.

Combine two balanced mic or line-level signals

The MIX 2:1 makes it easy to sum together any two signals, whether it's two microphones on a single guitar amplifier, or the stereo line outputs of a mixing console. At the inputs of the MIX 2:1, both ¼" TRS and XLR connectors are available, with ground lift switches to eliminate buzz and hum from ground loops and ensure noise-free operation. A trim control is also featured on each input, so if you are connecting two separate mono sources such as the outputs of two mic preamps, they can each be attenuated as needed to match their levels at the output. After both signals are passively summed together, they feed a single XLR output that can be connected to a powered speaker, or the input of a console or recording interface.

Features

• Mix two channels to a single mono output
• Individual level controls can be bypassed when not in use
• Balanced 1/4″ TRS and XLR inputs
• Completely passive, no need for power