Aviom A320 Stage Monitoring Personal Mixer
Vendor: Aviom
Available
Aviom A320 Personal Mixer
The Aviom A320 Personal Mixer is designed to give recording and performing musicians intuitive, simple control over their monitor mixes. The Aviom A320 equipped with many of the features of the award-winning A360 Personal mixer, is giving the musicians the ability to get a clean, clear, musical monitor mixes every time they play.
The Aviom A320 is ideal for use with in-ear headphones and monitors, and it is giving the musicians a powerful control over their mix, at the same time it is also preserving the simplicity that is required for use while performing. The Aviom A320 is able to work with all existing and legacy Aviom personal mixing systems and can be used at the same time with the A360 and/or A-16II Personal Mixers.
- 16 mono or stereo sources
- 32-channel mix engine
- Per-channel volume and Stereo Placement
- Eight customizable mix presets
- Three-band master tone controls optimized for in-ear monitors
- Per-channel solo and mute
- Compatible with existing Aviom personal mixing systems
Made for the musician
We can see them as experts, but musicians aren't engineers, and making a mix while singing or playing music is very different than just mixing. That's why the Aviom A320 is professionally designed with such a clean and simple user interface. No menus. No clutter. Just a quick access to the mixing controls you need.
Simple to its core
The Aviom A320 didn't created that is equipped with a lot of whistle and bells. By design. Bells and whistles can just get in the way when you're so focused on playing music. That's the reason the Aviom A320 is giving the musicians the controls that matter most for adjusting their monitor mix and keeping the rest out of the way.
Stereo clarity in every channel
Each of the 16 mix channels on the A320 can host a mono or a stereo source. That means you can preserve the fidelity of your stereo instruments and submixes from the console without giving up another mix source in your personal mixer. And that translates directly into clearer, more natural sounding monitor and cue mixes.
Easy stereo placement for outstanding clarity
Good stereo imaging in a monitor mix is essential for hearing every source clearly and distinctly, within the context of the ensemble. It's also an important way to reduce the sense of isolation many musicians experience with in-ear monitors.
Like the A360 Personal Mixer, the A320 allows users to pan both mono and stereo sources. With stereo sources, the Stereo Placement control adjusts both the separation and the position of the source in the mix as a whole. The A320 places all that power in a single control, allowing musicians to make a clear, natural sounding monitor mix with just the simple turn of the knob.
Rich, vibrant sound quality, especially with in-ears
The A320 uses the same master tone filters as the premier A360. They're easy to use—even if you don't know a thing about EQ—and they'll help your in-ear monitors sound their best, no matter what type of music you play.
Rugged and reliable
From the enduring simplicity of the mechanical design to the elegant efficiency of the embedded software, the A320 is built to work when you need it to work and to withstand the abuses of life on stage and in the studio.
Consistency night after night
The A320 includes space for eight mix presets, so you can save your favorite mixes and get reliable results in your monitors every time you play.
Compatibility
The A320 Personal Mixer is forward and backward compatible with most Aviom Pro16 and Pro16e devices*. This includes:
- AN-16/i Input Module
- AN-16/i v.2 Input Module
- AN-16/i -M Mic Input Module
- Y1 Card for Yamaha MY devices
- Console cards from Aviom's development partners
- A-16D A-Net Distributor
- A-16D Pro A-Net Distributor
- D400 & D400-Dante A-Net Distributors
- D800 & D800-Dante A-Net Distributors
The A320 may also be used in the same system with the A360 and legacy A-16II Personal Mixers.
* The A320 Personal Mixer must be connected to an A-Net Distributor to operate. It does not support an external DC power supply.
Audio Output | 1/4" TRS stereo, headphone or line level |
---|---|
Stereo Mix Output, Headphone/Line | Tip: Audio Left; Ring: Audio Right; Sleeve: Ground |
A-Net I/O | 1 A-Net In, RJ45 connector; Supports Pro16 (16-channel) and Pro16e (32-channel) |
D/A Conversion | 44.1/48kHz, 24-bit |
Stereo Operation | Stereo Link, per channel pair; Set at the input module; Variable pan per mono channel or pan/spread per stereo channel pair |
Headphone Output | 275 mW per side into 50 Ohms (both sides driven) |
Output Impedance | 5 Ohms |
Freq. Response | 3Hz-22kHz +0.2dB/-3dB at 50 Ohms |
THD +N | < 0.003% |
Output Voltage for Personal Mixers | 24VDC, 0.5 amp Transmitted over the Cat-5e cable |
Signal to Noise (unweighted) |
-106dB (measured with zero data into all channels) |
Latency | 0.880 msec (measured from analog input to analog output) |
Pro16e A-Net | Use Cat-5e (or better) cable; Maximum 400 ft (122 m) between devices; Supports Power Over A-Net |
Cat-5 cable | Use shielded Cat-5e (or better) cable to stay below the CISPR 22 Class B, ICES-003, and FCC 47 CFR Part 15 Class B emissions limits. |
Power | 24 VDC, 0.5 amp; Power is supplied over the Cat-5 cable when connected to an Aviom A-Net Distributor (required) |
Dimensions | 10.26" (260.6 mm) wide x 6.14" (155.95 mm) deep x 1.91" (48.51 mm) high |
Weight | 1.3 lb. (0.59 kg) |
Options | MT-1a Mic Stand Mount |