VUE Audiotechnik hm-112r Single 12-inch, Stage Monitor (Right - requires V4)

VUE Audiotechnik hm-112r Single 12-inch, Stage Monitor (Right - requires V4)

The VUE Audiotechnik hm-112r, Stage Monitor (Left - requires V4), is the latest revolution in a family of world-renowned stage monitors that's made from VUE's Design Chief Michael Adams, the VUE's hm-Class formula has been perfected over the course of time in over many decades. The truth is, the VUE Audiotechnik hm-112r's footprint and transducer orientation is the direct descendant of classic monitors that have shared the stage with acts such as Rage Against the Machine, Toby Keith, Def Leppard, Frank Santana, Brian Setzer, Boz Scaggs, Gary Allan, Rage Against the Machine, Lenny Kravitz, Lucinda Williams, and Elvis Costello to name just a few.

The VUE Audiotechnik hm-112r updates this legendary formula by taking full advantage of VUE’s most advanced technologies and the same “No Compromises” design philosophy behind the company’s flagship h-Class systems. From its precision, beryllium-infused HF transducers, to the companion rack-mount V4 VUEDrive Systems Engine with next-generation DSP capabilities, the VUE Audiotechnik hm-112r is a totally integrated, electro-acoustic monitoring system that is capable of delivering an unparalleled output and fidelity for the most demanding fold-back applications.

Rugged and Purposeful Enclosure Design

The precision-engineered transducers are enclosed in a rugged and extremely low-profile housing that is totally ensuring the clear sign lines from the audience, or the camera, to performers, and to provide a large sweet spot for talent-whether directly over the downstage or monitor at the same time.

Another ensured is its durability that is a big thanks to a rugged, 12-step DuraCoat LX finish and a heavily braced, powder coated grill that can surely capable to survive the most dramatic lean-ins, stomps, or occasional “axe” bludgeoning.

Road Tested and Stage Ready

The hm monitors are designed as our consummate high definition stage monitor systems. They benefit from Design Chief Michael Adams’ more than 30 years of working with world-class artists in demanding live and broadcast applications. Leveraging his extensive real-world experience, Michael has addressed everything from coverage and directivity to system and floor geometry. The goal? To ensure that the VUE hm-112 and hm-212 deliver unsurpassed consistency, whether directly overhead (handheld), or upstage.
But all that only scratches the surface. Thoughtful cabinet design ensures that the hm monitors offer minimal visual intrusion between audience and performer. Their uniquely low profile ensures that coveted sight lines are preserved for set designers and video producers alike, while also reducing required truck space when it’s time to pack up and go.

In addition, the hm monitors offer exceptionally clean and wide dynamic range – allowing monitor engineers to place solos or vocals in the front of the mix, exactly where they belong.

Finally, the VUE Audiotechnik hm-112r benefits from sophisticated DSP via the companion V4 VUEDrive Systems Engine. This ensures minimal reflections and optimal tuning to avoid the typical hurdles that plague less sophisticated monitor systems. Thanks to Michael Adams’ real-world perspective, hm monitors arrive from the factory fully ready to rock, with minimal tweaking.

Features

• Neodymium HF compression driver with 4″ (100 mm) voice coil and Truextent® beryllium diaphragm for exceptional high-frequency clarity and output
• Integrated electro-acoustic system with rack mount V4 Systems Engine that provides specially configured dsp and massive power output for quick setup and zero performance compromises
• Optimized coverage for real-world stage monitoring use
•  Full network monitoring and control via SystemVUE software (Mac OS, Windows & iOS).
• Very low-profile and rugged birch ply-hardwood enclosure with 12-layer coating Dura-Coat LX finish provides clear sight lines and years of reliable service